The King 1968
"Are you a queen or are you a king? Or maybe like me, an in-between thing?"
Dive into the bold, intimate world of *The King (1968)*, a drama-romance that explores identity and desire through the lens of 1960s counterculture.
Director: Jack Bravman
Cast
Frequently Asked Questions
What is The King (1968) about?
*The King* is a drama-romance that centers on a woman's journey through a series of lesbian relationships, set against the backdrop of the late 1960s. The film eschews traditional storytelling to present a raw, intimate exploration of identity, desire, and the search for self-acceptance in a society still grappling with fluidity.
Who directed The King?
The King was directed by Jack Bravman, a filmmaker known for pushing boundaries in storytelling and representation.
Who stars in The King?
The cast features Jack Bravman, Lisa St. Shaw, King Drummond, Soft Sandra, and Big Bertha, with standout performances that bring depth to the film's themes.
Is The King (1968) worth watching?
While *The King (1968)* may not be a mainstream classic, its unflinching portrayal of 1960s queer identity makes it a compelling watch for fans of vintage drama-romances or those interested in the evolution of LGBTQ+ cinema. Its concise runtime and daring themes add to its cult appeal.
How long is The King?
The King has a runtime of 60 minutes.
About The King (1968) — A Bold Drama-Romance on Identity and Desire
Dive into the bold, intimate world of *The King (1968)*, a drama-romance that explores identity and desire through the lens of 1960s counterculture. Directed by Jack Bravman, this raw and evocative film follows a woman navigating the complexities of her relationships in a vibrant, sometimes uneasy landscape. With a cast that includes Lisa St. Shaw, King Drummond, and Soft Sandra, the movie blends emotional depth with a daring perspective on love and self-discovery. The story unfolds with a sense of rebellion and vulnerability, capturing the tension between societal norms and personal truth. Set against a backdrop of shifting social mores, *The King* is less a traditional narrative and more a snapshot of a moment—one where the lines between roles and expectations blur with searing honesty.
At its core, *The King (1968)* delves into themes of identity, belonging, and the fluidity of desire. The film's atmospheric tone evokes a bygone era of underground art and intimate connections, where every relationship is a negotiation of power and identity. While the runtime is concise at 60 minutes, the impact lingers long after the credits roll, leaving viewers to ponder the questions it raises about who we are and who we choose to be.