And Still I Believe 1974
And Still I Believe (1974) is a posthumously completed documentary by the renowned Soviet filmmaker Mikhail Romm, originally conceived as a sweeping reflection on the fractured promise of the 20th century.
Director: Mikhail Romm
Cast
Frequently Asked Questions
What is And Still I Believe (1974) about?
This documentary by Mikhail Romm explores the collapse of 20th-century ideals through archival footage and unfinished essays. Combining historical analysis with personal disillusionment, the film reflects on humanity's recurring struggles—war, oppression, and lost hope—seen through the lens of figures like Einstein and Zhou Enlai.
Who directed And Still I Believe?
Mikhail Romm, the legendary Soviet filmmaker behind *Moscow Doesn't Believe in Tears*, began this project but passed away before its completion, leaving his colleagues to finish it posthumously.
Who stars in And Still I Believe?
The film features appearances by Albert Einstein, Raymond Poincaré, Woodrow Wilson, and Zhou Enlai, woven into Romm's own commentary and archival material.
Is And Still I Believe (1974) worth watching?
As a documentary essay on history and human nature, *And Still I Believe* is a compelling if bittersweet watch. Its unfinished quality adds authenticity, offering insights into Romm's evolving perspective on societal progress and his own legacy.
How long is And Still I Believe?
The runtime of *And Still I Believe (1974)* is 120 minutes.
And Still I Believe (1974): The Unfinished Masterpiece of Mikhail Romm — Full Movie Info
And Still I Believe (1974) is a posthumously completed documentary by the renowned Soviet filmmaker Mikhail Romm, originally conceived as a sweeping reflection on the fractured promise of the 20th century. Blending archival footage with his own unfinished essays, the film captures Romm's disillusionment as he surveys a world drifting further from its ideals. Using fragments from his earlier work *Ordinary Fascism* alongside new material, the film questions progress, war, and the fleeting nature of hope in an era of global upheaval. Its atmosphere is one of melancholic urgency, as Romm's voice lingers like a ghost over footage of figures like Einstein and Zhou Enlai, framing a narrative that feels both unfinished and timeless.
This documentary, steeped in historical weight and personal frustration, offers a rare glimpse into Romm's late-career vision—a meditation on humanity's recurring failures. The completed film, pieced together by Marlen Khutsiev, Elem Klimov, and German Lavrov after Romm's death, retains the director's biting skepticism while transforming his raw fragments into a poignant elegy for lost ideals. For film enthusiasts and historians alike, *And Still I Believe (1974)* stands as a haunting testament to the power of unfinished art.