A Strange Meeting 1909
D.W. Griffith's early silent drama *A Strange Meeting* (1909) plunges viewers into a moral tug-of-war as Mary Rollins, a young woman led astray by temptation, faces the consequences of her choices.
Director: D.W. Griffith
Cast
Frequently Asked Questions
What is *A Strange Meeting* (1909) about?
The film follows Mary Rollins, a young woman pressured into joining a burglary targeting her minister's home. As the crime unfolds, Mary is forced to confront the weight of her actions and the path she's chosen. It's a story of moral dilemma and the struggle for redemption.
Who directed *A Strange Meeting*?
D.W. Griffith directed *A Strange Meeting* (1909), a silent-era film known for its dramatic storytelling and early cinematic techniques.
Who stars in *A Strange Meeting*?
The film features Arthur V. Johnson, Stephanie Longfellow, Mack Sennett, Billy Quirk, and Frank Powell in key roles.
Is *A Strange Meeting* (1909) worth watching?
*A Strange Meeting* (1909) offers a fascinating glimpse into early silent cinema, with Griffith's direction and a compelling moral conflict at its core. While its brevity limits depth, the themes of redemption and consequence make it intriguing for fans of classic film. As a silent-era drama, it's best appreciated for its historical and narrative significance.
How long is *A Strange Meeting*?
*A Strange Meeting* (1909) has a runtime of 12 minutes.
🎥 Trailer
About A Strange Meeting (1909) — A 1909 Silent Drama on Crime and Redemption
D.W. Griffith's early silent drama *A Strange Meeting* (1909) plunges viewers into a moral tug-of-war as Mary Rollins, a young woman led astray by temptation, faces the consequences of her choices. Coerced into assisting a burglary targeting her own minister's apartment, Mary's journey becomes a stark exploration of redemption and regret. Griffith, a pioneer of American cinema, crafts an atmospheric tale that blends crime with personal conflict, using stark contrasts to highlight the tension between selfishness and integrity. The film's brevity belies its emotional weight, capturing a fleeting yet powerful moment of reckoning.
Set against the backdrop of early 20th-century societal pressures, *A Strange Meeting* (1909) weaves themes of morality and consequence into its compact runtime. The story's focus on a central character torn between depravity and righteous living gives it a timeless quality, resonating with audiences interested in the psychological depth of silent-era filmmaking. Griffith's direction, coupled with the performances of Arthur V. Johnson and Stephanie Longfellow, creates a visceral experience despite its brief duration.