November Poster

November 1992

★ 3.73 votes90 min📅 1992-09-16

November (1992), a chilling Polish horror directed by Łukasz Karwowski, plunges into psychological terror as medical student Sara grapples with terrifying visions.

Director: Łukasz Karwowski

Cast

Marine Delterme
Marine Delterme
Sara
Judith Henry
Judith Henry
Nowak
Krystyna Tkacz
Krystyna Tkacz
Sąsiadka Sary
Bartłomiej Topa
Bartłomiej Topa
Piotr
Jerzy Bińczycki
Jerzy Bińczycki
ojciec Sary
Anna Ciepielewska
Anna Ciepielewska
Matka Sary
Ilona Kucińska
Ilona Kucińska
pielęgniarka

Frequently Asked Questions

What is November (1992) about?

November follows Sara, a medical student who experiences terrifying blackouts and wakes to find evidence of brutal murders she can't recall committing. As she grapples with visions and creeping suspicions of telekinetic abilities, she's forced to question whether these acts are real—or if something far worse is controlling her mind.

Who directed November?

November was directed by Łukasz Karwowski, a Polish filmmaker known for his atmospheric and thought-provoking cinema.

Who stars in November?

The film stars Marine Delterme, Judith Henry, Krystyna Tkacz, Bartłomiej Topa, and Jerzy Bińczycki in pivotal roles.

Is November (1992) worth watching?

Though unrated on IMDb, November stands out as a cult gem in psychological horror, praised for its unsettling atmosphere and bold storytelling. Fans of slow-burn terror and cerebral thrillers will find its themes of identity and guilt deeply chilling.

How long is November?

November has a runtime of 90 minutes, making it a compact yet intense viewing experience.

November (1992): A Psychological Horror of Unseen Terror — Full Movie Info

November (1992), a chilling Polish horror directed by Łukasz Karwowski, plunges into psychological terror as medical student Sara grapples with terrifying visions. Haunted by visions of grotesque murders she can't explain, she begins to suspect she possesses terrifying telekinetic powers—each blackout leaving behind horrifying evidence of crimes she can't remember committing. As her grip on reality unravels, Sara must confront whether these acts are real, imagined, or something far more sinister lurking within her subconscious.

The film crafts a suffocating atmosphere of dread, blending body horror with psychological torment as it explores themes of identity, guilt, and the dark fringes of the human mind. With eerie performances and a claustrophobic visual style, November (1992) delivers a haunting meditation on the fragility of the human psyche and the monsters that dwell within.