Peek-a-boo 2011
Peek-a-boo (2011), a mesmerizing five-minute animated short by Keiko Shiraishi, reinvents the childhood game into a haunting exploration of memory and perception.
Director: Keiko Shiraishi
Frequently Asked Questions
What is Peek-a-boo (2011) about?
This short animated film reimagines the classic childhood game as a quietly unsettling experience. Instead of a grandmother, a mysterious stranger appears, drawing closer to a child, blurring the line between play and tension. The film explores how memory and perception interact in fleeting moments of recognition.
Who directed Peek-a-boo?
Peek-a-boo was directed by Keiko Shiraishi, a filmmaker known for crafting atmospheric and thought-provoking animated shorts.
Who stars in Peek-a-boo?
The main cast details are not publicly listed for this short film.
Is Peek-a-boo (2011) worth watching?
Though brief, Peek-a-boo offers a unique and thought-provoking experience that lingers long after the credits. Its minimalist animation and psychological tension make it a standout in the genre, even without a traditional IMDb rating to guide expectations.
How long is Peek-a-boo?
Peek-a-boo runs for just 5 minutes.
About Peek-a-boo (2011) — A Five-Minute Animated Thriller That Plays With Memory
Peek-a-boo (2011), a mesmerizing five-minute animated short by Keiko Shiraishi, reinvents the childhood game into a haunting exploration of memory and perception. Where playful peek-a-boo once delighted youngsters, this film swaps a familiar granny's face for an unsettling stranger's, creeping ever closer to a small child. Through delicate animation and sparse visuals, Shiraishi crafts a brief but unforgettable atmosphere—one that lingers between curiosity and unease. The film's power lies in its ability to make the simple act of recognition feel unsettling, turning a universal game into a meditation on how easily the mind can be tricked.
The 2011 animated short blends minimalism with psychological tension, using the thin line between comfort and threat to examine how memory shapes our interactions. Shiraishi's direction leans into the ambiguity of the stranger's intentions, leaving audiences to question what's real and what's imagined. With just five minutes to weave its spell, *Peek-a-boo* proves that even the shortest films can cast long shadows.