The Square 2017
In Ruben Östlund's razor-sharp satirical drama *The Square (2017)*, Claes Bang delivers a career-best performance as Christian, a high-profile Stockholm museum curator whose carefully constructed world begins to unravel under the weight of absurd pressures.
Director: Ruben Östlund
Cast
Claes Bang
Christian
Elisabeth Moss
Anne
Dominic West
Julian
Terry Notary
Oleg
Christopher Læssø
Michael
Lise Stephenson Engström
Daughter
Lilianne Mardon
Daughter
Marina Schiptjenko
Elna
Annica Liljeblad
Sonja
Elijandro Edouard
Boy with Letter
Frequently Asked Questions
What is The Square (2017) about?
*The Square (2017)* follows Christian, a well-respected museum curator whose life spirals into chaos after a series of humiliating mishaps. Between navigating a failing marriage, financial ruin, and the stress of mounting a divisive art exhibit, he grapples with the absurdity of his own privilege and the erosion of his sanity.
Who directed The Square?
The film was directed by Ruben Östlund, the acclaimed Swedish filmmaker known for his incisive social satires like *Force Majeure* and *Triangle of Sadness*.
Who stars in The Square?
The ensemble cast is led by Claes Bang and features Elisabeth Moss, Dominic West, Terry Notary, and Christopher Læssø in pivotal roles.
Is The Square (2017) worth watching?
While ratings vary, *The Square* is a bold, thought-provoking satire that's hard to forget. Its sharp commentary on art, class, and self-deception makes it a standout in the drama genre, even if its bleak humor isn't for everyone.
How long is The Square?
The film runs for 151 minutes, offering a dense, dialogue-rich experience that lingers long after the credits roll.
🎥 Trailer
About The Square (2017) — A Satirical Masterpiece on Art, Crisis and Modern Hypocrisy
In Ruben Östlund's razor-sharp satirical drama *The Square (2017)*, Claes Bang delivers a career-best performance as Christian, a high-profile Stockholm museum curator whose carefully constructed world begins to unravel under the weight of absurd pressures. When his personal life collides with the demands of staging a provocative new art exhibit, Christian faces ridicule, financial strain, and the kind of moral dilemmas that expose the fragility of both his professional reputation and his self-control.
The film thrives on its clinical yet biting portrayal of contemporary elitism, blending dry humor with moments of raw vulnerability as it dissects privilege, power, and the performative nature of art. Shot in Östlund's signature style—long takes and meticulous compositions—the movie immerses viewers in a visually striking yet unsettling exploration of modern identity and crisis.
