
The Man Who Knew a Lot 2014
"Mister Beranger works in big furniture store. His life seems perfectly settled, until one day he gets promoted to the mysterious thirteenth floor..."
In *The Man Who Knew a Lot (2014)*, directed by Alice Vial, Mr. Beranger's orderly life at Paradesign—a sprawling furniture store where employees live amid the displays—takes a surreal turn when he's promoted to the enigmatic thirteenth floor.
Director: Alice Vial
Cast





Frequently Asked Questions
What is *The Man Who Knew a Lot* (2014) about?
Mr. Beranger's mundane existence at a furniture store is upended when he's promoted to the mysterious thirteenth floor, where reality bends and absurdity reigns. The film plays like a dark comedy of errors, blending workplace satire with a surreal twist on ambition and identity.
Who directed *The Man Who Knew a Lot*?
The short film was directed by Alice Vial, whose keen eye for offbeat storytelling shines in this playful yet biting satire.
Who stars in *The Man Who Knew a Lot*?
The film features André Penvern in the lead role, with Naomi Biton, Marie-Bénédicte Cazeneuve, Christian Diaz, and Frédérique Farina rounding out the ensemble cast.
Is *The Man Who Knew a Lot* (2014) worth watching?
Though unrated on IMDb, this 20-minute gem punches above its weight with sharp humor and a unique premise. Its blend of comedy and subtle existential themes makes it a refreshing watch for fans of indie shorts and satire.
How long is *The Man Who Knew a Lot*?
The film runs for 20 minutes, offering a concise yet impactful cinematic experience.
About The Man Who Knew a Lot (2014) — A Quirky Short Film About Workplace Absurdity
In *The Man Who Knew a Lot (2014)*, directed by Alice Vial, Mr. Beranger's orderly life at Paradesign—a sprawling furniture store where employees live amid the displays—takes a surreal turn when he's promoted to the enigmatic thirteenth floor. What begins as a mundane career milestone spirals into a whimsical yet oddly unsettling journey, blending sharp humor with a dash of existential curiosity. The film captures the absurdity of corporate life through Vial's satirical lens, transforming a simple footrest into a symbol of absurd ambition. With its quirky premise and offbeat charm, this 20-minute short explores themes of identity, workplace surrealism, and the hidden layers beneath the surface of the everyday.
The eccentric cast, led by André Penvern as Mr. Beranger, adds depth to the story's deadpan tone and playful absurdity. The film's lighthearted yet thought-provoking approach lingers like the aftertaste of a clever joke, leaving viewers to ponder the fine line between routine and revelation.