A Barber Cure 1913
In the silent-era gem *A Barber Cure (1913)*, early cinema mastermind Edward Dillon crafts a laugh-out-loud comedy that hinges on one fateful haircut gone wrong.
Director: Edward Dillon
Cast
Frequently Asked Questions
What is A Barber Cure (1913) about?
*A Barber Cure* is a short silent comedy about a barber who attempts to shave a customer quickly ahead of a romantic date, but ends up cutting away only half of his beard and moustache. The result? A man caught between looking distinguished and utterly ridiculous.
Who directed A Barber Cure?
Edward Dillon directed *A Barber Cure*, showcasing his knack for sharp comedic timing in early silent films.
Who stars in A Barber Cure?
The film features Gus Pixley and Charles Murray as the bumbling barber and his hurried customer, with Louise Orth rounding out the main cast.
Is A Barber Cure (1913) worth watching?
While it's a silent short with no IMDb rating to go by, *A Barber Cure* offers a delightful slice of early cinema history and slapstick humor. If you enjoy vintage comedy or curiosities from the silent era, this eight-minute gem is worth a look for its quirky charm and quick laughs.
How long is A Barber Cure?
*A Barber Cure* runs for 8 minutes.
About A Barber Cure (1913) — Early Silent Comedy With a Hair-Raising Twist
In the silent-era gem *A Barber Cure (1913)*, early cinema mastermind Edward Dillon crafts a laugh-out-loud comedy that hinges on one fateful haircut gone wrong. The story follows a well-meaning barber who, in a rush to please a customer racing off on a romantic date, meticulously carves away only half of the man's beard and moustache—leaving the poor fellow sporting a dashing but chaotic half-baked look. Set against the backdrop of early 20th-century barbershop culture, the film drips with the charm of slapstick timing and the absurdity of good intentions gone hilariously awry. With a lighthearted tone that celebrates the innocence of silent comedies, *A Barber Cure* delivers quick gags and a visual punchline that still tickles audiences over a century later.
Dillon's direction is crisp and efficient, utilizing tight framing and expressive performances to maximize comedy in just eight minutes. Stars Gus Pixley and Charles Murray bring physical humor to life, while Louise Orth adds a touch of romantic misadventure to the mix. The film's themes of haste, embarrassment, and the chaos of love feel timeless, wrapped in a package that's as much a snapshot of early filmmaking as it is a standalone comedy classic.