The Apostle 1917
Dive into the fascinating world of early cinema with *The Apostle (1917)*, a groundbreaking Argentine animated film directed by visionary Quirino Cristiani.
Director: Quirino Cristiani
Frequently Asked Questions
What is The Apostle (1917) about?
*The Apostle (1917)* follows Argentine President Hipólito Yrigoyen as he dreams of ascending to Olympus in the guise of an apostle. There, he confesses his political struggles to the gods, who remain aloof to his reforms. The film satirizes the chaos of Buenos Aires' administration and the public's skepticism toward leadership.
Who directed The Apostle?
The Apostle was directed by Quirino Cristiani, a pioneer of animation whose work laid the foundation for future animated films.
Who stars in The Apostle?
The film centers on Argentine President Hipólito Yrigoyen, with supporting roles for various congressmen and Olympian deities depicted in the dream sequence.
Is The Apostle (1917) worth watching?
While *The Apostle* is a historical curiosity as the world's first animated feature, its lost status means you won't find a complete viewing experience today. Still, its innovative animation techniques and political satire make it a fascinating subject for film historians and animation fans.
How long is The Apostle?
The Apostle runs for 70 minutes.
About The Apostle (1917) — The World's First Animated Feature and Its Surreal Political Satire
Dive into the fascinating world of early cinema with *The Apostle (1917)*, a groundbreaking Argentine animated film directed by visionary Quirino Cristiani. Utilizing innovative cutout animation techniques, this silent-era feature stands as the world's first fully animated motion picture—a title that cements its place in film history. The story unfolds in a surreal, satirical dream sequence where Argentine President Hipólito Yrigoyen, dressed as an apostle, ascends to Mount Olympus to confer with the gods about the chaotic political landscape of Buenos Aires. As he navigates the gods' indifference and the porteños' mockery, Yrigoyen grapples with the absurdity of his political struggles, offering a biting commentary on power, public perception, and the futility of governance.
Beyond its technical achievements, *The Apostle (1917)* delivers a wry, almost prophetic glimpse into early 20th-century Argentina, where corruption, bureaucracy, and societal disillusionment collide. Cristiani's absurdist storytelling and the film's lost status only add to its mystique, making it a must-study for animation enthusiasts and history buffs alike.