Goblin? 2014
Goblin? (2014), a chilling micro-horror from British filmmaker Christian James, dives into the razor-thin line between paranoia and reality.
Director: Christian James
Cast
Frequently Asked Questions
What is Goblin? (2014) about?
The film follows Elizabeth and her boyfriend Harry as his growing paranoia leads him to believe a Goblin is hiding in their wardrobe. What starts as a quirky domestic dispute quickly spirals into a tense psychological standoff, blurring the line between imagination and something far more unsettling.
Who directed Goblin??
Goblin? (2014) was directed by Christian James, a filmmaker known for his concise, atmospheric storytelling.
Who stars in Goblin??
The short horror stars Holliday Grainger and David Oakes, who bring sharp, believable chemistry to their roles as a couple pushed to the edge of reason.
Is Goblin? (2014) worth watching?
With its tight 7-minute runtime and eerie atmosphere, Goblin? is a quick but effective horror experience for fans of psychological tension and microcinema. It's not for those seeking jump scares, but it delivers a chilling payoff that lingers, making it worth a watch for short-film enthusiasts.
How long is Goblin??
Goblin? (2014) runs for 7 minutes.
About Goblin? (2014) — A 7-Minute Horror That Plays Mind Games with Your Closet
Goblin? (2014), a chilling micro-horror from British filmmaker Christian James, dives into the razor-thin line between paranoia and reality. Elizabeth's relationship with her skeptical boyfriend Harry takes a surreal turn when he becomes convinced a mischievous Goblin lurks inside their wardrobe. What begins as an offbeat domestic squabble spirals into a nightmarish exploration of unseen fears, claustrophobic dread, and the unsettling power of suggestion. With its razor-sharp 7-minute runtime, the film transforms a simple closet into a portal of psychological tension, blending supernatural whispers with relationship dynamics that feel both intimate and eerie.
Holliday Grainger and David Oakes deliver razor-keen performances, grounding the film's absurd premise in genuine unease. James crafts a moody atmosphere where every shadowed corner and creaking hinge amplifies the growing paranoia, leaving audiences questioning what's real—and whether the Goblin might be closer than they think. It's a clever, compact horror that lingers long after the credits roll, proving that sometimes the scariest monsters aren't under the bed, but hanging in the closet.