Track 29 1988
"Was he her dream or obsession? Was she his mother or his lover?"
In Track 29 (1988), visionary director Nicolas Roeg crafts a psychological mystery that blurs the lines between reality and obsession. Theresa Russell stars as Linda Henry, a woman trapped in an unfulfilling marriage to her neglectful husband Henry (Seymour Cassel).
Director: Nicolas Roeg
Cast
Frequently Asked Questions
What is Track 29 (1988) about?
Track 29 follows Linda Henry, a woman living an empty life with her neglectful husband, until a mysterious young man named Martin arrives, claiming to be her long-lost son. Their relationship quickly spirals into an intense, unsettling dynamic, with Martin's obsession over Linda's husband and his elaborate model train set hinting at deeper psychological fractures.
Who directed Track 29?
Track 29 was directed by Nicolas Roeg, the acclaimed filmmaker behind visually striking and thematically complex movies like *The Man Who Fell to Earth* and *Don't Look Now*.
Who stars in Track 29?
The film stars Theresa Russell as Linda Henry, Gary Oldman as Martin, Christopher Lloyd as Henry's eccentric business partner, and Seymour Cassel as Linda's neglectful husband Henry.
Is Track 29 (1988) worth watching?
Track 29 is a gripping psychological drama that thrives on its unsettling atmosphere and strong performances, particularly Oldman's chilling portrayal of Martin. While not a mainstream hit, its exploration of obsession and identity makes it a compelling watch for fans of Roeg's unique style and those who enjoy slow-burn mysteries with a dark edge.
How long is Track 29?
Track 29 has a runtime of 86 minutes.
🎥 Trailer
About Track 29 (1988) — A Psychological Mystery of Obsession and Identity
In Track 29 (1988), visionary director Nicolas Roeg crafts a psychological mystery that blurs the lines between reality and obsession. Theresa Russell stars as Linda Henry, a woman trapped in an unfulfilling marriage to her neglectful husband Henry (Seymour Cassel). Their quiet life spirals into chaos when Martin (Gary Oldman), a young man claiming to be Linda's long-lost son, enters her world—sparking a volatile relationship that teeters between maternal devotion and dangerous infatuation. As Martin's behavior grows increasingly erratic, his fixation on Henry's elaborate model train set reveals dark undercurrents of jealousy and control.
Roeg's atmospheric direction immerses viewers in a world where desire and dysfunction collide, anchored by Russell's haunting performance and Oldman's chilling intensity. The film explores themes of abandonment, identity, and the destructive power of unmet emotional needs, all wrapped in a moody, suspenseful tone that keeps audiences guessing until the final frame.