No Poster

From 3 to 22 1966

★ 7.03 votes14 min📅 1966-11-23

Step into the daily grind of 1960s industrial life with *From 3 to 22 (1966)*, a concise yet powerful documentary directed by Krešimir Golik. This 14-minute short film dives into the relentless routine of a factory worker, whose day begins at 3 AM and ends at 10 PM.

Director: Krešimir Golik

Cast

Smilja Glavaš
Smilja Glavaš

Frequently Asked Questions

What is From 3 to 22 (1966) about?

From 3 to 22 follows a woman's grueling 19-hour workday in a factory, offering a raw look at the sacrifices of post-war labor. Director Krešimir Golik crafts a stark portrait of resilience, blending documentary realism with emotional depth.

Who directed From 3 to 22?

Krešimir Golik directed *From 3 to 22*. Known for his insightful storytelling, Golik's work often explores societal themes through intimate, character-driven narratives.

Who stars in From 3 to 22?

The film stars Smilja Glavaš as the factory worker at the heart of the story.

Is From 3 to 22 (1966) worth watching?

Though brief and unrated, *From 3 to 22* offers a compelling look at labor and endurance. Its documentary style and humanist approach make it a rewarding watch for fans of vintage social realism.

How long is From 3 to 22?

From 3 to 22 runs for 14 minutes.

From 3 to 22 (1966): A Glimpse into 1960s Factory Life — Full Film Details

Step into the daily grind of 1960s industrial life with *From 3 to 22 (1966)*, a concise yet powerful documentary directed by Krešimir Golik. This 14-minute short film dives into the relentless routine of a factory worker, whose day begins at 3 AM and ends at 10 PM. Through Golik's observational lens, the film captures the stark realities of shift work, the silent endurance of labor, and the quiet dignity of an everyday heroine. The stark contrast between dawn and dusk mirrors the emotional weight of her sacrifice, making it a poignant snapshot of post-war Yugoslavia's working class.

Smilja Glavaš stars as the protagonist, embodying the resilience of women balancing factory life with unseen personal struggles. Shot in black-and-white, the film's atmosphere is raw and unfiltered, inviting viewers to reflect on the personal cost of economic progress. While brief, *From 3 to 22* packs a punch, blending documentary realism with a humanist perspective that lingers long after the credits roll.