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Women Are Late 2012

★ 10.01 votes90 min📅 2012-10-18

In Marcela Balza's quietly gripping drama *Women Are Late (2012)*, the fading elegance of an old family-run hotel in Buenos Aires becomes the perfect backdrop for financial desperation and unexpected fortune.

Director: Marcela Balza

Cast

Marilú Marini
Marilú Marini
Regina
Érica Rivas
Érica Rivas
Fernanda
Rafael Spregelburd
Rafael Spregelburd
Miguel
Andrea Pietra
Andrea Pietra
Gabriela
Enrique Dumont
Enrique Dumont
Ramón
Eduardo Pavlovsky
Eduardo Pavlovsky
Tato
Martina Gusmán
Martina Gusmán
María Luz
Guillermo Pfening
Mike Amigorena
Mike Amigorena
Gastón
Susana Evans
Tía

Frequently Asked Questions

What is Women Are Late (2012) about?

This Argentine drama follows two sisters struggling to keep their family's hotel afloat, only to find their fortunes—and loyalties—tested by an unexpected cash windfall and the arrival of a mysterious guest. Set against the backdrop of a once-elegant but now-decaying inn, the film dives into themes of financial ruin, moral dilemmas, and the bonds that fray under pressure.

Who directed Women Are Late?

Marcela Balza directed *Women Are Late*. Known for her intimate, character-driven storytelling, Balza crafts a film that lingers on the quiet desperation and fleeting hope of its protagonists.

Who stars in Women Are Late?

The film features standout performances from Marilú Marini, Érica Rivas, Rafael Spregelburd, Andrea Pietra, and Enrique Dumont.

Is Women Are Late (2012) worth watching?

*Women Are Late* is a slow-burn character drama that rewards patience with its atmospheric depth and subtle performances. While it may not cater to fans of fast-paced thrillers, its exploration of family, fate, and financial ruin offers a compelling, if melancholic, viewing experience.

How long is Women Are Late?

The runtime of *Women Are Late* is 90 minutes.

About Women Are Late (2012) — A gripping drama of sisters, secrets, and sudden fortune

In Marcela Balza's quietly gripping drama *Women Are Late (2012)*, the fading elegance of an old family-run hotel in Buenos Aires becomes the perfect backdrop for financial desperation and unexpected fortune. Regina and Fernanda, the sisters at the helm, watch as their once-thriving business crumbles under the weight of unpaid debts and fading glory. Their quiet despair takes a dramatic turn when a mysterious guest arrives bearing a life-altering sum of cash—money that could either spark redemption or ignite new conflicts. Balza crafts a moody, atmospheric story that explores themes of decay, chance, and the fragile bonds that hold families together when faced with ruin.

With a deliberate pace and restrained performances, the film immerses viewers in a world where every glance and whispered conversation carries weight. Marilú Marini and Érica Rivas deliver nuanced portrayals of sisters whose lives hinge on the choices they make in the hotel's dimly lit corridors. The story unfolds like a slow-burning fuse, building tension as the sisters grapple with morality, survival, and the secrets buried beneath the hotel's peeling wallpaper.