P.D.Q. 1921
In *P.D.Q.* (1921), the early silent comedy gem from director William Watson, mischief unfolds on the race track as Lee Moran's character finds himself torn between competitive cycling and his chivalrous instincts.
Director: William Watson
Cast

Frequently Asked Questions
What is P.D.Q. (1921) about?
*P.D.Q.* follows a competitive cyclist whose kindness repeatedly derails his race. Each time he stops to aid a damsel in distress, he's left behind—until he turns to his trick bike for a daring, last-minute comeback.
Who directed P.D.Q.?
The film was directed by William Watson, a silent-era filmmaker known for his lively comedies.
Who stars in P.D.Q.?
The short comedy features Lee Moran in the lead role, paired with Marie Torpie as the object of his cycling heroics.
Is P.D.Q. (1921) worth watching?
With its brisk 20-minute runtime and early silent comedy charm, *P.D.Q.* is a fun time capsule for fans of the genre. While not groundbreaking, its energetic pacing and gags make it a delightful slice of 1920s entertainment.
How long is P.D.Q.?
The film runs for 20 minutes.
About P.D.Q. (1921) — The Silent Comedy Where Bicycles Meet Mischief and Acrobatics
In *P.D.Q.* (1921), the early silent comedy gem from director William Watson, mischief unfolds on the race track as Lee Moran's character finds himself torn between competitive cycling and his chivalrous instincts. Every time he pauses to assist a lady in distress, he's swiftly overtaken by rivals—until he leaps onto his trick bicycle, weaving through the pack with acrobatic flair. The film captures the energetic, lighthearted spirit of 1920s comedy, blending slapstick antics with a playful disregard for the rules of the game.
With its rapid-fire gags and Moran's charismatic performance, *P.D.Q.* delivers a whirlwind of laughs in just 20 minutes. Watson's direction keeps the pace brisk, while the central theme of determination versus distraction plays out in a series of comic setbacks and triumphs. For silent film fans and curious newcomers alike, this short comedy offers a snapshot of early cinematic joy—where even a bicycle race becomes a stage for uproarious mishaps.