Morzh (Walrus) 2001
In this striking three-minute short film, director Moira Tierney crafts a surreal visual poem centered on a lone polar bear trapped in a Moscow apartment complex.
Director: Moira Tierney
Frequently Asked Questions
What is Morzh (Walrus) (2001) about?
*Morzh (Walrus)* follows a polar bear unexpectedly finding itself inside a Moscow apartment building, turning an ordinary urban space into a surreal and poignant tableau. The film uses this bizarre scenario to reflect on themes of confinement, environmental disconnect, and the absurdity of nature's intrusion into human-dominated environments.
Who directed Morzh (Walrus)?
The short film was directed by Moira Tierney, an experimental filmmaker known for her visually striking and thought-provoking works.
Who stars in Morzh (Walrus)?
Cast details for *Morzh (Walrus)* are not publicly listed, though the film relies heavily on the symbolic presence of its polar bear protagonist rather than traditional actors.
Is Morzh (Walrus) (2001) worth watching?
While *Morzh (Walrus)* is brief, its unique premise and striking visuals make it a compelling watch for fans of avant-garde cinema. Its thematic depth and bold imagery offer more than its short runtime suggests, though it may not appeal to those seeking conventional storytelling.
How long is Morzh (Walrus)?
The film runs for exactly 3 minutes.
About Morzh (Walrus) (2001) — A Surreal Polar Bear Short in a Moscow Tower Block
In this striking three-minute short film, director Moira Tierney crafts a surreal visual poem centered on a lone polar bear trapped in a Moscow apartment complex. *Morzh (Walrus) (2001)* transforms an urban tower block into an unforeseen habitat, where the majestic Arctic creature becomes an unexpected inhabitant of concrete corridors. The film blends stark realism with dreamlike symbolism, exploring themes of displacement, environmental irony, and the collision between natural and man-made worlds. Its minimalist storytelling and haunting imagery leave a lasting impression, inviting viewers to question the boundaries between reality and metaphor.
Shot in moody, cinematic tones, *Morzh (Walrus)* stands out as a bold experiment in microcinema, where every frame feels deliberate. Though brief, the film's message lingers—highlighting the absurdity and tragedy of placing a creature of icy wilderness in the heart of a bustling metropolis. For fans of experimental cinema and evocative visual storytelling, it's a memorable slice of avant-garde filmmaking.