One Too Many Mornings Poster

One Too Many Mornings 2010

★ 4.25 votes90 min📅 2010-01-18

"A new comedy."

Dive into the dramedy *One Too Many Mornings (2010)*, directed by Michael Mohan, where a young man's aimless life takes an unexpected turn.

Director: Michael Mohan

Cast

Stephen Hale
Anthony Deptula
Tina Kapousis

Frequently Asked Questions

What is One Too Many Mornings (2010) about?

The film follows Fischer, a slacker living rent-free in a church, whose quiet existence is disrupted when his estranged high school friend shows up unannounced. Their reunion forces Fischer to confront the stagnation of his life and the unresolved bonds of the past.

Who directed One Too Many Mornings?

Michael Mohan directed this indie dramedy, bringing a nuanced touch to its blend of comedy and emotional depth.

Who stars in One Too Many Mornings?

The film stars Stephen Hale as Fischer, Anthony Deptula as Peter, and Tina Kapousis in a supporting role.

Is One Too Many Mornings (2010) worth watching?

As a low-budget indie dramedy, it offers a refreshingly authentic take on friendship and midlife stagnation. While not a mainstream hit, its heartfelt moments and clever writing make it a solid choice for fans of character-driven comedies.

How long is One Too Many Mornings?

The film has a runtime of 90 minutes.

🎥 Trailer

About One Too Many Mornings (2010) — A dramedy about regret, friendship, and crashing on sacred ground

Dive into the dramedy *One Too Many Mornings (2010)*, directed by Michael Mohan, where a young man's aimless life takes an unexpected turn. Fischer, played by Stephen Hale, lives rent-free in a quiet church, dodging responsibility with the excuse of an empty schedule and an endless hangover. His routine of solitary slumber is shattered when an old high school friend, Peter (Anthony Deptula), shows up unannounced, forcing Fischer to confront the past and the future he's tried to ignore.

This indie gem blends humor and heartache, exploring themes of friendship, regret, and the surreal comfort of unconventional living spaces. Mohan crafts a slice-of-life story that feels both intimate and universal, wrapped in a tone that oscillates between dry wit and poignant reflection. Set against the backdrop of a real working church, the film balances offbeat charm with raw emotional beats, making it a standout in the drama-comedy space.