
Days of Eclipse 1988
Days of Eclipse (1988) is a haunting Soviet-era drama directed by Aleksandr Sokurov that explores the psychological landscape of post-Soviet displacement.
Director: Aleksandr Sokurov
Cast


Frequently Asked Questions
What is Days of Eclipse (1988) about?
Days of Eclipse follows Malyanov, a young medical graduate sent to work in Turkmenia, where he encounters displaced ethnic groups struggling with the aftermath of Soviet relocation policies. The film explores themes of isolation, cultural displacement, and the difficulty of human connection in a fractured society.
Who directed Days of Eclipse?
The film was directed by Aleksandr Sokurov, a renowned Russian filmmaker known for his distinctive visual style and exploration of Soviet and post-Soviet themes.
Who stars in Days of Eclipse?
The main cast includes Aleksei Ananishnov as Malyanov, alongside Eskender Umarov, Irina Sokolova, Vladimir Zamanskiy, and Kirill Dudkin.
Is Days of Eclipse (1988) worth watching?
With its unflinching portrayal of Soviet-era displacement and Sokurov's masterful direction, Days of Eclipse offers a challenging but rewarding viewing experience for fans of arthouse cinema and those interested in Eastern European history.
How long is Days of Eclipse?
The film has a runtime of 139 minutes.
About Days of Eclipse (1988) — Sokurov's Haunting Soviet Drama
Days of Eclipse (1988) is a haunting Soviet-era drama directed by Aleksandr Sokurov that explores the psychological landscape of post-Soviet displacement. The film follows Malyanov, a recent medical graduate portrayed by Aleksei Ananishnov, who is stationed in the remote region of Turkmenia where he encounters a fractured community of displaced people. This atmospheric blend of drama and science fiction examines the lingering trauma of government-engineered ethnic relocations and class eliminations.
Set against the stark backdrop of Central Asia, the film presents a world where diverse ethnic groups struggle to find connection or solace in their shared misfortune. Eskender Umarov and Irina Sokolova join Ananishnov in portraying characters trapped in a cycle of antagonism and desperation. Sokurov's distinctive visual style creates an unsettling meditation on isolation, cultural erasure, and the human cost of political ideology. The 139-minute runtime allows for deep character exploration in this unflinching portrait of Soviet social engineering's aftermath.