

Brand of Evil 1964
"How bizarre can a murder be?"
Directed by Hiromichi Horikawa, *Brand of Evil (1964)* is a gripping Japanese crime drama that blends psychological tension with noir aesthetics.
Director: Hiromichi Horikawa
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Frequently Asked Questions
What is Brand of Evil (1964) about?
The film centers on Detective Kikuchi, who is falsely imprisoned for drug smuggling and later released to find the man responsible still in power. As he investigates the industrialist's wife, Kikuchi uncovers a sinister plot while navigating his own dark past and a budding romance.
Who directed Brand of Evil?
Hiromichi Horikawa is the director behind *Brand of Evil*, known for his work in crime and drama films of the era.
Who stars in Brand of Evil?
The film features Tsutomu Yamazaki, Michiyo Aratama, Kyôko Kishida, Keiji Sada, and Takashi Shimura in key roles.
Is Brand of Evil (1964) worth watching?
While the IMDb rating is unrated, *Brand of Evil* offers a compelling blend of crime, drama, and psychological tension. Its noir-inspired atmosphere and strong performances make it a hidden gem for fans of classic Japanese cinema.
How long is Brand of Evil?
The runtime of *Brand of Evil* is 133 minutes.
About Brand of Evil (1964) — A Wronged Detective's Revenge in a Twisted Crime Drama
Directed by Hiromichi Horikawa, *Brand of Evil (1964)* is a gripping Japanese crime drama that blends psychological tension with noir aesthetics. The story follows Detective Kikuchi, a man wrongfully imprisoned for drug smuggling, who resurfaces with a vengeance after discovering the wealthy industrialist responsible. As Kikuchi secretly investigates the man's wife, he uncovers a web of deceit, manipulation, and personal betrayal—all while navigating a dangerous game that pits his past against his future. The film's moody visuals and morally complex characters create an atmosphere of suspense, where trust is a liability and every move could be one step closer to ruin.
With a stellar cast including Tsutomu Yamazaki and Michiyo Aratama, *Brand of Evil* explores themes of injustice, retribution, and the corrupting influence of power. Horikawa's direction infuses the narrative with a sense of unease, making it a standout entry in 1960s Japanese crime cinema.




