

Song at Midnight 1985
Directed by Yang Yanjin, *Song at Midnight (1985)* unfolds inside the shadowy corridors of a traditional Chinese opera house, where a tragic figure—once a celebrated musical genius—now lurks as a vengeful spirit.
Director: Yang Yanjin
Cast




Frequently Asked Questions
What is Song at Midnight (1985) about?
The film follows a disfigured musical genius who haunts an opera house, seeking justice against those who wrong him. Blending romance and horror, it's a gothic tale of betrayal, vengeance, and redemption set against the backdrop of traditional Chinese theater.
Who directed Song at Midnight?
Yang Yanjin directed *Song at Midnight*, crafting a visually poetic horror that leans into the artistry of Peking opera.
Who stars in Song at Midnight?
The film stars Wang Weiping as the ghostly lead, alongside Li Tian-Ji, Li Yun, and Zhai Naishe in pivotal roles.
Is Song at Midnight (1985) worth watching?
Though unrated on IMDb, *Song at Midnight* stands out for its atmospheric storytelling and unique fusion of horror and opera. Fans of gothic cinema and classic Asian horror will find its slow-burn dread and cultural depth compelling.
How long is Song at Midnight?
The runtime of *Song at Midnight* is 96 minutes, a concise runtime that keeps its eerie narrative tightly wound.
About Song at Midnight (1985) — Rediscover China's Haunting Ghost Opera Classic
Directed by Yang Yanjin, *Song at Midnight (1985)* unfolds inside the shadowy corridors of a traditional Chinese opera house, where a tragic figure—once a celebrated musical genius—now lurks as a vengeful spirit. Disfiguring scars twist his past into a haunting presence, one that punishes those who dare cross moral lines under the glow of stage lights. Steeped in romance and horror, this atmospheric ghost story weaves a melancholic melody that lingers long after the final curtain falls. The film's eerie setting and poetic visuals conjure a world where beauty and menace intertwine, a timeless tale of retribution and redemption told through the language of Peking opera.
Wang Weiping leads the cast with a haunting performance as the tormented spirit, while Li Tian-Ji, Li Yun, and Zhai Naishe round out the ensemble in roles that add depth to this darkly poetic narrative. Brimming with gothic allure and operatic grandeur, *Song at Midnight* is a forgotten gem of 1980s Chinese cinema—one that rewards viewers who crave atmospheric storytelling over flashy effects.




