Another Day of a Housewife 1977
Dive into the intriguing world of *Another Day of a Housewife (1977)*, a short but sharply provocative drama directed by avant-garde filmmaker Mako Idemitsu.
Director: Mako Idemitsu
Frequently Asked Questions
What is Another Day of a Housewife (1977) about?
The film follows a woman engaged in routine household tasks, while a television screen reflects her eye, creating a disorienting loop of observation. It critiques the home as a space of invisible control and repetitive labor under societal expectations.
Who directed Another Day of a Housewife?
Another Day of a Housewife was directed by Mako Idemitsu, a pioneering figure in feminist and experimental cinema whose work often challenged traditional gender roles.
Who stars in Another Day of a Housewife?
Cast information for Another Day of a Housewife is not publicly listed.
Is Another Day of a Housewife (1977) worth watching?
Though little-known and unrated on IMDb, this nine-minute experimental drama offers a bold, thought-provoking take on domesticity and surveillance. It's ideal for fans of avant-garde cinema or feminist film studies seeking unconventional perspectives.
How long is Another Day of a Housewife?
Another Day of a Housewife runs for 9 minutes.
About Another Day of a Housewife (1977) — A Radical 9-Minute Exploration of Domestic Surveillance
Dive into the intriguing world of *Another Day of a Housewife (1977)*, a short but sharply provocative drama directed by avant-garde filmmaker Mako Idemitsu. The film unfolds as a woman moves through her daily domestic routine—cleaning, cooking, repeating—while a television in the background mirrors her own watchful eye. What begins as a mundane depiction of housework quickly reveals itself as a haunting exploration of surveillance, autonomy, and the invisible cages of gendered labor. Idemitsu crafts an unsettling atmosphere, blurring the line between observer and observed, labor and captivity, all within the compact runtime of just nine minutes.
This experimental Japanese drama challenges viewers to reconsider the home not as a place of comfort, but as a site of control. The repetitive motion of household chores becomes a metaphor for systemic oppression, while the looping image of the eye on screen serves as a constant reminder of being watched—by society, by tradition, even by oneself. *Another Day of a Housewife (1977)* is a bold, minimalist statement on identity and domesticity, offering a radical perspective that feels just as urgent today.