ULTRA IV Poster

ULTRA IV 1982

25 min📅 1982-01-01

ULTRA IV (1982) is a provocative documentary that pushes boundaries with its unsettling blend of noise, transgressive art, and historical brutality.

Frequently Asked Questions

What is ULTRA IV (1982) about?

ULTRA IV is a controversial 25-minute documentary that blends underground music, medical footage, and chilling interviews with infamous criminals like Peter Sutcliffe. It also features provocative tracks from Whitehouse and a grim historical study of Auschwitz and Birkenau.

Who directed ULTRA IV?

Director information is not available.

Who stars in ULTRA IV?

The documentary doesn't feature traditional stars but highlights performances by Whitehouse, interviews with Peter Sutcliffe, and experimental work by Herman Nitsch.

Is ULTRA IV (1982) worth watching?

ULTRA IV is a niche documentary that appeals to fans of transgressive art and underground media. Its unfiltered nature and historical themes may fascinate some, but its unsettling content won't suit everyone. Without an IMDb rating, it's best approached with caution.

How long is ULTRA IV?

ULTRA IV has a runtime of 25 minutes.

About ULTRA IV (1982) — The Shocking 80s Documentary You Won't Forget

ULTRA IV (1982) is a provocative documentary that pushes boundaries with its unsettling blend of noise, transgressive art, and historical brutality. Directed by an anonymous filmmaker under the Come Organization label, this 25-minute video magazine dives into the darkest corners of underground culture, featuring disturbing medical footage, controversial interviews, and a fixation on infamous murderers like Peter Sutcliffe. The film's atmosphere is raw and unfiltered, oscillating between shock value and experimental documentary techniques.

The documentary also explores extreme musical performances from Whitehouse and Herman Nitsch, alongside a haunting study of Auschwitz and Birkenau from 1941–82. ULTRA IV (1982) isn't for the faint-hearted—it's a time capsule of transgressive 80s avant-garde media, where exploitation and artistry collide in an unapologetic exploration of morality and human darkness.