The Captive Poster

The Captive 2000

★ 5.663 votes118 min📅 2000-09-27

Directed by the visionary Chantal Akerman, *The Captive (2000)* is a haunting drama-romance that peels back the layers of obsession and control.

Director: Chantal Akerman

Cast

Sylvie Testud
Sylvie Testud
Ariane
Stanislas Merhar
Stanislas Merhar
Simon
Olivia Bonamy
Olivia Bonamy
Andrée
Liliane Rovère
Liliane Rovère
Françoise, the maid
Bérénice Bejo
Bérénice Bejo
Sarah
Aurore Clément
Aurore Clément
Léa, the actress
Anna Mouglalis
Anna Mouglalis
Isabelle
Xavier Morange
Painter
Françoise Bertin
The grandmother
Vanessa Larré
Hélène

Frequently Asked Questions

What is The Captive (2000) about?

The film explores a relationship between Ariane and Simon, where Simon's obsessive behavior—tracking her every move and questioning her relentlessly—reveals a darker undercurrent. Ariane's composed demeanor hides a secret, and as Simon's control tightens, the story unfolds into a tense psychological drama about possession and freedom.

Who directed The Captive?

Chantal Akerman, the acclaimed Belgian filmmaker known for her innovative and introspective approach to cinema, directed *The Captive*.

Who stars in The Captive?

The film features Sylvie Testud as Ariane, Stanislas Merhar as Simon, and a standout cast including Olivia Bonamy, Bérénice Bejo, and Aurore Clément.

Is The Captive (2000) worth watching?

*The Captive* is a polarizing but compelling watch for fans of psychological dramas and character studies. Akerman's deliberate style may not appeal to everyone, but its themes of obsession and identity resonate deeply. Those who enjoy slow-burn, atmospheric films will find much to ponder here.

How long is The Captive?

The Captive has a runtime of 118 minutes.

🎥 Trailer

About The Captive (2000) — A psychological drama about love, obsession, and secrets in Paris

Directed by the visionary Chantal Akerman, *The Captive (2000)* is a haunting drama-romance that peels back the layers of obsession and control. Set in the intimate yet labyrinthine streets of Paris, the film follows Ariane, a woman who allows Simon to envelop her life in an intense web of surveillance and interrogation. What begins as a quirky romance soon darkens into a psychological chess match, as Simon's relentless pursuit of knowledge about Ariane's past reveals a chilling detachment beneath her calm exterior. The atmosphere is thick with tension, blending the stifling confines of Simon's grand apartment with the city's indifferent sprawl, creating a space where love and captivity become indistinguishable.

Ariane's quiet resilience masks a secret life that Simon's obsession cannot penetrate, leading to a climax that questions the very nature of possession. Akerman's signature slow, deliberate pacing lends a hypnotic quality to the story, drawing viewers into a world where every glance and whispered word carries weight. The film's themes of surveillance, identity, and the blurred line between devotion and domination make it a thought-provoking exploration of modern relationships, wrapped in a visually striking and emotionally charged narrative.