C.O.D. 1932
Michael Powell's early crime thriller *C.O.D. (1932)* delivers a dark, suspenseful ride into the shadows of deception and murder.
Director: Michael Powell
Cast
Frequently Asked Questions
What is C.O.D. (1932) about?
*C.O.D. (1932)* follows a man who gets entangled in a deadly scheme when a woman convinces him to help her dispose of her stepfather's body. The decision pulls him into a dangerous world of lies, blackmail, and murder, where every move could lead to disaster.
Who directed C.O.D.?
C.O.D. was directed by Michael Powell, a filmmaker later renowned for iconic works like *The Red Shoes* and *Peeping Tom*.
Who stars in C.O.D.?
The film features Garry Marsh, Hope Davey, Arthur Stratton, Sybil Grove, and Roland Culver in pivotal roles.
Is C.O.D. (1932) worth watching?
For fans of classic crime thrillers, *C.O.D.* offers a tight, suspenseful plot with strong performances and an atmospheric setting. While it may lack the polish of Powell's later work, its 64-minute runtime keeps the tension high—making it a compelling watch for genre enthusiasts.
How long is C.O.D.?
C.O.D. runs for 64 minutes.
About C.O.D. (1932) — A 1930s Crime Thriller Brimming with Suspense and Twists
Michael Powell's early crime thriller *C.O.D. (1932)* delivers a dark, suspenseful ride into the shadows of deception and murder. The story revolves around a reluctant man drawn into a web of intrigue when a woman asks for his help disposing of her stepfather's body, setting off a chain of moral dilemmas and life-or-death decisions. Shot in a gritty, atmospheric style, the film explores themes of loyalty, survival, and the fragility of trust under pressure. With its tight 64-minute runtime, *C.O.D.* keeps viewers on the edge of their seats, blending classic crime tropes with Powell's knack for tension and twists.
Starring Garry Marsh as the conflicted protagonist and Hope Davey as the enigmatic woman at the center of the crime, the cast brings raw intensity to a tale where every character has something to hide. The film's noir-inspired atmosphere and sharp dialogue make it a standout in early British cinema, offering a snapshot of the era's fascination with crime and consequence.