In 2009
Dive into the enigmatic world of *In (2009)*, a short film directed by Ted Knighton and starring Chris Braak, Molly Waldron, and Andrew Repasky McElhinney.
Director: Ted Knighton
Cast
Frequently Asked Questions
What is In (2009) about?
The film follows a woman whose fixation on an enigmatic black box spirals into psychological unease. Her curiosity turns into a haunting presence, blurring the lines between reality and obsession as the box's secrets unfold.
Who directed In?
Ted Knighton directed this short film, crafting a tense atmosphere through minimalist storytelling and sharp performances.
Who stars in In?
The main cast includes Chris Braak, Molly Waldron, and Andrew Repasky McElhinney, delivering compelling roles in this psychological thriller.
Is In (2009) worth watching?
With its eerie premise and tight runtime, *In (2009)* is a standout short film for fans of psychological horror. While it's unrated, its atmospheric tension and originality make it a compelling watch for those seeking something different.
How long is In?
The film runs for 11 minutes.
About In (2009) — A Woman's Obsession with a Mysterious Black Box
Dive into the enigmatic world of *In (2009)*, a short film directed by Ted Knighton and starring Chris Braak, Molly Waldron, and Andrew Repasky McElhinney. The atmosphere is thick with tension as a woman becomes inexplicably fixated on a mysterious black box, her obsession growing into a psychological haunting. The film blends eerie minimalism with a slow-burning sense of dread, exploring themes of curiosity, the unknown, and the unsettling allure of secrets that refuse to stay hidden. Shot in just 11 minutes, *In (2009)* is a compact but haunting experience that lingers long after the credits roll.
At its core, the story hinges on the duality of fascination and fear—the box becomes a symbol of the woman's inner turmoil, drawing viewers into a world where the mundane hides something far more sinister. Knighton's direction and the cast's performances create a chilling atmosphere, leaving audiences questioning what they've witnessed and whether it was ever truly real. It's a micro-budget gem that proves less can be more when storytelling is sharp and intent is clear.