The Chair Poster

The Chair 1959

106 min📅 1959-10-14

Set against the vibrant backdrop of 1950s Hong Kong, *The Chair (1959)* is a sharp comedy-drama from director Tso Kea that explores the consequences of greed and moral decay.

Director: Tso Kea

Cast

Cheung Ying
Cheung Ying
Cheung Ka-Bo
Mui Yee
Yee Wah
Keung Chung-Ping
Keung Chung-Ping
Blackie Yuen
Wong Man-Lei
Wong Man-Lei
Ka-Bo's mother
Lui Ming
Cousin Bo/ Ah-po
Sai Gwa-Pau
Sai Gwa-Pau
Used furniture buyer
Kwan-San Lam
Granny Chen
Yau Kei
Yau Kei
Chen Fan
Lan Mui
Chan Tsen
Lam Siu
Lam Siu
Furniture deliveryman

Frequently Asked Questions

What is The Chair (1959) about?

*The Chair (1959)* tells the story of Cheung Ka-bo, an heir who squanders his family's wealth after falling in with shady associates, leading to marital strife and a series of comedic yet poignant misfortunes. The film's central mystery revolves around a hidden diamond bracelet, which becomes a symbol of both greed and redemption in a household on the brink of collapse.

Who directed The Chair?

The Chair was directed by Tso Kea, a filmmaker known for blending social commentary with lighthearted storytelling in mid-century Hong Kong cinema.

Who stars in The Chair?

The film features Cheung Ying as the lead character, alongside Mui Yee, Keung Chung-Ping, Wong Man-Lei, and Lui Ming in pivotal roles.

Is The Chair (1959) worth watching?

*The Chair (1959)* is a hidden gem for fans of vintage Hong Kong comedies and those interested in moral dramas with a light touch. While not widely known today, its themes of wealth, family, and consequence remain relevant, and its comedic timing offers a delightful escape. For those who enjoy character-driven stories with a mix of humor and drama, it's absolutely worth a watch.

How long is The Chair?

The runtime for The Chair (1959) is 106 minutes.

About The Chair (1959) — A Vintage Comedy-Drama of Family and Fortune

Set against the vibrant backdrop of 1950s Hong Kong, *The Chair (1959)* is a sharp comedy-drama from director Tso Kea that explores the consequences of greed and moral decay. The film follows Cheung Ka-bo, a once-responsible heir who squanders his family's fortune under the influence of Blackie Yuen, a cunning opportunist, and Yee-Wah, a nightclub performer. As Ka-bo's reckless lifestyle strains his marriage, his wife returns a diamond bracelet—hidden away by his mother in an old chair—bringing long-buried family tensions to the surface. The movie blends humor with biting social commentary, using Ka-bo's downfall as a cautionary tale about vanity and misplaced trust.

With its lively blend of comedy and drama, *The Chair (1959)* captures the decadence and pitfalls of mid-century Hong Kong society. Tso Kea's direction infuses the story with a playful yet critical tone, while the ensemble cast delivers performances that oscillate between farce and poignant realism. The film's themes of inheritance, betrayal, and redemption unfold against a backdrop of neon-lit nightclubs and crumbling family estates, making it a fascinating snapshot of its era's cultural and moral landscape.