Four Journeys Into Mystic Time: One Two Three 1978
A hypnotic eight-minute odyssey from 1978, *Four Journeys Into Mystic Time: One Two Three* is legendary experimental director Shirley Clarke's abstract meditation on movement, perception, and the fluidity of time.
Director: Shirley Clarke
Cast
Frequently Asked Questions
What is Four Journeys Into Mystic Time: One Two Three (1978) about?
This surreal short film follows three dancers as they navigate a kaleidoscopic world where movement and screen projections intertwine. Their performances explore themes of time, perception, and the ephemeral nature of existence through bold visuals and fluid choreography.
Who directed Four Journeys Into Mystic Time: One Two Three?
Shirley Clarke, an influential experimental filmmaker and dancer, directed this abstract piece as part of her *Four Journeys Into Mystic Time* series.
Who stars in Four Journeys Into Mystic Time: One Two Three?
The film features Lynda Davis, Clay Taliaferro, and Carol Warner in central roles, their performances driving the film's mystical and kinetic energy.
Is Four Journeys Into Mystic Time: One Two Three (1978) worth watching?
While it's a niche, avant-garde work without mainstream appeal, Clarke's experimental vision and the film's hypnotic visuals make it a rewarding experience for fans of abstract cinema. Its brief runtime and unique style offer a quick but unforgettable artistic escape.
How long is Four Journeys Into Mystic Time: One Two Three?
The film runs for 8 minutes.
About Four Journeys Into Mystic Time: One Two Three (1978) — A Dazzling 8-Minute Escape Into Abstract Fantasy
A hypnotic eight-minute odyssey from 1978, *Four Journeys Into Mystic Time: One Two Three* is legendary experimental director Shirley Clarke's abstract meditation on movement, perception, and the fluidity of time. Three dancers—Lynda Davis, Clay Taliaferro, and Carol Warner—engage in a mesmerizing dialogue with oversized screens, their kinetic choreography unfolding against a vibrant tapestry of color and costume that heightens every gesture. Clarke's vision transforms the stage into a living canvas where bodies become brushstrokes and the boundaries between performer and projection dissolve into pure rhythm.
This short film belongs to the avant-garde fantasy genre, where logic takes a backseat to emotion and intuition. The interplay of light, shadow, and human motion creates an otherworldly atmosphere, inviting viewers to lose themselves in the interplay of sight and sound. Though only eight minutes long, *Four Journeys Into Mystic Time: One Two Three* lingers like a fleeting dream, leaving audiences to ponder the mysteries of existence through the lens of Clarke's bold, boundary-pushing artistry.