Aerograd 1935
Step into the tense world of *Aerograd (1935)*, Oleksandr Dovzhenko's gripping Soviet drama set against the frozen expanse of Eastern Siberia.
Director: Oleksandr Dovzhenko
Cast
Stepan Shahaida
Stepan Glushchak, old partisan
Sergey Stolyarov
Volodymyr Glushchak, pilot
Stepan Shkurat
Vasyl Khudiakov
G. Tsoi
Wang Lin, Stepan's friend
Nikon Tabunasov
aboriginal
Leonid Kan
Japanese saboteur
I. Kim
Japanese saboteur
Boris Dobronravov
Anikii Shavanov, old Believer
Yekaterina Melnikova
Stepan's wife
Yuliia Tsai
Volodymyr's wife
Frequently Asked Questions
What is Aerograd (1935) about?
*Aerograd* follows the high-stakes battle to establish a critical airfield in Eastern Siberia as Japanese aggression looms. Amid construction chaos, tensions erupt between workers pushing for progress and a zealous sect clinging to isolation. The film captures the uneasy calm before a storm that would define the 20th century.
Who directed Aerograd?
Oleksandr Dovzhenko, the celebrated Soviet filmmaker known for his lyrical and politically charged cinema.
Who stars in Aerograd?
The film features Stepan Shahaida, Sergey Stolyarov, and Stepan Shkurat in lead roles, with G. Tsoi, Nikon Tabunasov, and Leonid Kan rounding out the ensemble cast.
Is Aerograd (1935) worth watching?
While unrated on IMDb, *Aerograd* remains a fascinating artifact—blending historical drama with sci-fi tinges and Dovzhenko's signature visual poetry. Its slow pacing and ideological leanings may not be for everyone, but its atmospheric tension and thematic depth make it compelling for fans of Soviet cinema and early science-fiction allegories.
How long is Aerograd?
Aerograd runs for 82 minutes, a concise runtime that packs historical weight and cinematic intensity into just over an hour and a half.
Aerograd: The Soviet Drama That Foreshadowed War — Full Movie Info
Step into the tense world of *Aerograd (1935)*, Oleksandr Dovzhenko's gripping Soviet drama set against the frozen expanse of Eastern Siberia. This black-and-white masterpiece weaves together espionage, ideological clashes, and high-stakes survival as a remote Russian outpost faces the looming shadow of Japanese aggression. At its heart lies the construction of Aerograd, a fledgling town whose airfield becomes the linchpin of national defense in the shadow of rising pre-war hostilities.
Dovzhenko crafts a mood of palpable urgency, where the wilderness itself feels like a character—harsh, unyielding, and alive with unseen threats. The film explores the simmering conflict between industrious settlers and a puritanical religious sect, their opposing visions clashing as history barrels toward war. With a stark visual style and layered storytelling, *Aerograd (1935)* offers more than a historical snapshot—it's a cinematic time capsule blending Soviet propaganda with poetic realism, all wrapped in the slow-burn dread of a world on the brink.
