
Allez Oop 1934
In *Allez Oop (1934)*, comedy legend Buster Keaton finds himself in a hilarious love triangle when his sweetheart's heart is stolen by a dashing trapeze artist.
Director: Charles Lamont
Cast





Frequently Asked Questions
What is Allez Oop (1934) about?
The film follows Buster Keaton as his girlfriend leaves him for a trapeze artist, prompting him to abandon his usual role and challenge the acrobat at his own game. What unfolds is a frantic, inventive comedy of errors as Keaton's character stumbles through a series of circus stunts gone wrong.
Who directed Allez Oop?
Charles Lamont directed *Allez Oop (1934)*, bringing a keen eye for comedic timing to this short film.
Who stars in Allez Oop?
The film stars comedy icon Buster Keaton alongside Dorothy Sebastian, George J. Lewis, Harry Myers, and Sidney Kibrick in key roles.
Is Allez Oop (1934) worth watching?
With its undeniable charm and Keaton's physical comedy at its finest, *Allez Oop* is a delightful 21-minute escape into early cinema magic. Fans of silent films, slapstick, and vintage humor will find plenty to appreciate in this underrated short.
How long is Allez Oop?
The runtime of *Allez Oop (1934)* is 21 minutes.
About Allez Oop (1934) — When Buster Keaton Tries His Hand at Circus Chaos
In *Allez Oop (1934)*, comedy legend Buster Keaton finds himself in a hilarious love triangle when his sweetheart's heart is stolen by a dashing trapeze artist. Determined to win her back, Keaton's character impulsively tries his hand at the circus arts, leading to a series of slapstick mishaps that showcase his signature physical humor. Directed by Charles Lamont, this short film blends lighthearted charm with the chaotic energy of early 20th-century vaudeville, making it a standout in Keaton's filmography.
With its breezy 21-minute runtime and a cast featuring Dorothy Sebastian as the romantic interest and George J. Lewis as the rival performer, *Allez Oop* captures the spirit of old-school comedy—where love, ambition, and sheer audacity collide. The film's title itself hints at the acrobatic spectacle to come, evoking both the thrill of the circus and the playful desperation of Keaton's character.