Each in turn 1951
In André Berthomieu's lighthearted 1951 French comedy-musical *Each in turn*, Robert Montfort finds himself walking a tightrope between two worlds. By day, he's the disdained son-in-law of Solange's parents, dismissed as a struggling poet with no future.
Director: André Berthomieu
Cast
Frequently Asked Questions
What is Each in turn (1951) about?
Robert Montfort juggles two lives: by day, he's an unloved poet, but by night, he's a rising star under a new name. When his secret performances start winning over audiences, he must keep his alter ego Jean Rigobert hidden from his wife Solange—but the charade risks unraveling everything.
Who directed Each in turn?
André Berthomieu, a prolific French director known for his comedies and collaborations with renowned actors of the era.
Who stars in Each in turn?
The film features Robert Lamoureux as Robert Montfort/Jean Rigobert, alongside Michèle Philippe as Solange, Marthe Mercadier, Jane Marken, and Charles Dechamps in key roles.
Is Each in turn (1951) worth watching?
While it's unrated, this charming comedy-musical shines with witty dialogue and a clever premise that feels ahead of its time. Its themes of identity and public perception make it an engaging watch for fans of vintage French cinema and lighthearted stories about reinvention.
How long is Each in turn?
The film runs for 103 minutes, offering a brisk, entertaining pace perfect for a classic movie night.
About Each in turn (1951) — The hilarious double life of a struggling poet turned star performer
In André Berthomieu's lighthearted 1951 French comedy-musical *Each in turn*, Robert Montfort finds himself walking a tightrope between two worlds. By day, he's the disdained son-in-law of Solange's parents, dismissed as a struggling poet with no future. But by night, under the stage name Jean Rigobert, he transforms into a charismatic entertainer whose performances electrify audiences. To keep his secret—and his marriage—intact, Robert clings to this double identity, blurring the lines between reality and performance with clever wit and a dose of mischief.
The film thrives on the playful tension of secrets and second chances, all wrapped in the effervescent charm of post-war Parisian nightlife. Berthomieu crafts a story where identity becomes performance, and every act of deception carries the risk of exposure. With a satirical edge and musical flair, *Each in turn* balances heartfelt humor with the universal dread of being underestimated—making it a delightful watch for fans of classic comedies and those who love a good underdog tale.