An Ugly Man 1969
In *An Ugly Man* (1969), director Yılmaz Güney crafts a gritty crime thriller that follows Bino, a ruthless contract killer hired by dance hall owners to eliminate Hayati Hamzaoğlu, a figure extorting protection money from their business.
Director: Yılmaz Güney
Cast
Frequently Asked Questions
What is An Ugly Man (1969) about?
*An Ugly Man* follows Bino, a hired gun entangled in the underworld's brutal economy. When dance hall owners pay him to eliminate a rival extorting their business, Bino's grim method of payment—calculated by the weight of his victims—sets the stage for a chilling tale of survival and betrayal.
Who directed An Ugly Man?
*An Ugly Man* was directed by Yılmaz Güney, a legendary Turkish filmmaker renowned for his socially conscious and often controversial films.
Who stars in An Ugly Man?
The cast features Yılmaz Güney as Bino, Feri Cansel, Mümtaz Alpaslan, Hayati Hamzaoğlu, and İhsan Gedik in key roles.
Is An Ugly Man (1969) worth watching?
While *An Ugly Man* lacks an IMDb rating, its gripping narrative and Güney's signature style make it a fascinating watch for fans of crime thrillers. The film's unique premise and atmospheric tension offer plenty to appreciate, even if it's not a mainstream classic.
How long is An Ugly Man?
*An Ugly Man* runs for 82 minutes.
About An Ugly Man (1969) — A Gritty Crime Thriller by Yılmaz Güney
In *An Ugly Man* (1969), director Yılmaz Güney crafts a gritty crime thriller that follows Bino, a ruthless contract killer hired by dance hall owners to eliminate Hayati Hamzaoğlu, a figure extorting protection money from their business. The film's title hints at the morally twisted nature of its protagonist, whose payment is calculated by the sheer weight of his victims—a chilling detail that underscores the story's bleak, transactional violence. Set against a backdrop of seedy underworld dealings, Güney's direction immerses viewers in a world where loyalty is currency and survival is a cold calculation.
The atmosphere crackles with tension as Bino's deadly assignments unfold, blending noir aesthetics with the raw, unflinching realism of 1960s Turkish cinema. With its razor-sharp focus on crime and morality, *An Ugly Man* (1969) stands as a compelling exploration of power, greed, and the human cost of living outside the law.