
Oh, Woe Is Me 1993
Jean-Luc Godard's *Oh, Woe Is Me* (1993) weaves a surreal tapestry of existential doubt and spiritual longing, blending drama, fantasy, and romance into a meditation on faith and transformation.
Director: Jean-Luc Godard
Cast








Frequently Asked Questions
What is Oh, Woe Is Me (1993) about?
The film explores a man's sudden spiritual transformation when he believes God has entered his body, sending his wife on a journey of doubt and devotion. As his behavior grows erratic, she must reconcile her faith in him with the mysteries unfolding around them.
Who directed Oh, Woe Is Me?
Jean-Luc Godard, the iconic French-Swiss director known for his revolutionary contributions to cinema and avant-garde storytelling.
Who stars in Oh, Woe Is Me?
The cast features Gérard Depardieu as Simon Donnadieu, Laurence Masliah as his wife Rachel, and supporting roles from Bernard Verley, Aude Amiot, and Roland Blanche.
Is Oh, Woe Is Me (1993) worth watching?
While not one of Godard's most mainstream films, *Oh, Woe Is Me* offers a fascinating blend of existential drama and spiritual allegory. Its concise runtime and thought-provoking themes make it a compelling watch for fans of arthouse cinema, even if it's not for every audience.
How long is Oh, Woe Is Me?
The film runs for 83 minutes.
🎥 Trailer
About Oh, Woe Is Me (1993) — A Godard Allegory of Love, Faith, and the Unseen
Jean-Luc Godard's *Oh, Woe Is Me* (1993) weaves a surreal tapestry of existential doubt and spiritual longing, blending drama, fantasy, and romance into a meditation on faith and transformation. The film follows 1980s filmmaker Simon Donnadieu, whose sudden, inexplicable shifts in behavior—attributed to the divine presence within him—leave his wife Rachel grappling with uncertainty yet clinging to love. Shot through with Godard's signature visual flair and philosophical undertones, the narrative oscillates between the intimate and the allegorical, creating an atmosphere that is both haunting and deeply human.
Gérard Depardieu delivers a magnetic performance as the enigmatic Donnadieu, while Laurence Masliah embodies Rachel's quiet resilience, grounding the film's lofty themes in raw emotional authenticity. As the boundaries between the sacred and the profane blur, *Oh, Woe Is Me* challenges viewers to ponder the nature of divine intervention and the fragility of human connections. A lesser-known gem in Godard's filmography, this 83-minute masterpiece lingers like a dream—equally provocative and poignant.