Ninety Five/Two or Three 1995
In 1995's *Ninety Five/Two or Three*, director Ernest Fung crafts a haunting six-minute allegory set against the shadow of the 1989 Tiananmen Square protests.
Director: Ernest Fung
Frequently Asked Questions
What is Ninety Five/Two or Three (1995) about?
This six-minute experimental short by Ernest Fung uses a ping-pong ball as a metaphor for Hong Kong's precarious position between colonial powers. The film follows silent, detached men who transfer the ball between them, reflecting the city's surrender of autonomy and the emotional detachment of its people.
Who directed Ninety Five/Two or Three?
Ernest Fung is the director of *Ninety Five/Two or Three*, a filmmaker known for his evocative visual storytelling and political themes.
Who stars in Ninety Five/Two or Three?
Cast details for *Ninety Five/Two or Three* are not publicly listed.
Is Ninety Five/Two or Three (1995) worth watching?
While *Ninety Five/Two or Three* is unrated and lacks mainstream recognition, its bold visual storytelling and political depth make it compelling for fans of experimental cinema and historical allegory. Its brevity and abstract nature may limit appeal for casual viewers.
How long is Ninety Five/Two or Three?
*Ninety Five/Two or Three* has a runtime of 6 minutes.
About Ninety Five/Two or Three (1995) — Six-Minute Political Allegory by Ernest Fung
In 1995's *Ninety Five/Two or Three*, director Ernest Fung crafts a haunting six-minute allegory set against the shadow of the 1989 Tiananmen Square protests. Through the deceptively simple lens of a ping-pong ball, Fung explores the political limbo of Hong Kong as it transitions from one colonial power to another—each side manipulating the ball with detached precision. The film's stark, expressionless men serve as mere conduits, their blank faces mirroring the emotional detachment of a city caught in geopolitical tug-of-war. With minimal dialogue and deliberate pacing, the short film transforms an everyday object into a powerful symbol of surrender and shifting allegiances.
*Ninety Five/Two or Three (1995)* is a study in visual metaphor, where the ping-pong ball becomes a microcosm for Hong Kong's fragile autonomy. Fung's direction strips away sentimentality, leaving audiences to interpret the cold precision of the men's movements and the unsettling stillness of their expressions. The result is a quietly devastating meditation on transition, control, and the human cost of political handover—all condensed into a six-minute cinematic fragment that lingers long after the final frame fades.