The Land on the Waves 2019
Lim Tae-gue's 2019 drama *The Land on the Waves* follows Munseong as he returns to Gunsan after three decades away, drawn home by the news of his father Gwangdeok's final days.
Director: Lim Tae-gue
Cast
Frequently Asked Questions
What is *The Land on the Waves* (2019) about?
The film centers on Munseong's return to his hometown after decades away, only to confront his dying father's absence and an unexpected reunion with his own estranged son. Their attempts to reconnect reveal the enduring wounds of past conflicts, set against a backdrop of industrial decay.
Who directed *The Land on the Waves*?
Lim Tae-gue directed *The Land on the Waves*, a drama praised for its restrained storytelling and evocative visuals.
Who stars in *The Land on the Waves*?
Park Jeong-hak stars as Munseong, with Lee Tae-kyung, Maeng Se-chang, and Yang Jo-a rounding out the leading cast.
Is *The Land on the Waves* (2019) worth watching?
As a quiet character study in a drama genre, *The Land on the Waves* offers thoughtful pacing and strong performances, though its subdued tone may not appeal to viewers seeking fast-paced storytelling. It's a reflective film best suited for those drawn to contemplative narratives about family and regret.
How long is *The Land on the Waves*?
The runtime of *The Land on the Waves* is 82 minutes.
About The Land on the Waves (2019) — A haunting family drama of missed connections and quiet heartbreak
Lim Tae-gue's 2019 drama *The Land on the Waves* follows Munseong as he returns to Gunsan after three decades away, drawn home by the news of his father Gwangdeok's final days. The reunion is fleeting—Gwangdeok passes before they can bridge the chasm between them, and Munseong finds himself face-to-face with his estranged son, Dojin, only to face the same generational fractures that defined his own relationship. The film immerses viewers in a quiet, reflective atmosphere where unresolved grief and the weight of memory hang over every conversation. Through minimal dialogue and lingering shots of industrial landscapes, *The Land on the Waves* explores the cyclical nature of family wounds—how the past lingers not just in stories but in silence.
Park Jeong-hak delivers a quietly devastating performance as Munseong, a man caught between shame and longing, while Lee Tae-kyung embodies the stubborn resilience of a father who never learned to say what he meant. This is a story about heritage and healing, where the beauty and brutality of homecoming unfold in equal measure.