Overland 2016
James Edmonds' experimental short Overland (2016) unfolds as a poetic triptych of personal imagery, capturing fleeting moments across shifting landscapes in rich, hand-processed super8 colour stock.
Director: James Edmonds
Frequently Asked Questions
What is Overland (2016) about?
Overland (2016) is a visually rich short film that blends personal footage into a three-part, hand-edited super8 collage. It explores themes of time, memory, and perception through vivid imagery of landscapes and textures captured over twelve months.
Who directed Overland?
Overland was directed by James Edmonds, a filmmaker known for his experimental and atmospheric visual storytelling.
Who stars in Overland?
Cast details for Overland (2016) are not publicly listed.
Is Overland (2016) worth watching?
Though unrated, Overland (2016) offers a uniquely immersive experience for fans of experimental cinema and visual art. Its concise runtime and evocative super8 aesthetic make it a rewarding watch for those seeking something outside traditional filmmaking.
How long is Overland?
Overland (2016) has a runtime of 22 minutes.
About Overland (2016) — A Hand-Processed Super8 Collage of Memory and Landscape
James Edmonds' experimental short Overland (2016) unfolds as a poetic triptych of personal imagery, capturing fleeting moments across shifting landscapes in rich, hand-processed super8 colour stock. Drifting between memory and materiality, the film layers organic textures—substances, creatures, echoes—into a collage that feels simultaneously intimate and vast. Its fragmented rhythm invites viewers to wander through an enigmatic dreamscape where time bends and every frame holds a story waiting to be felt.
Meticulously edited from footage shot over a single year, Overland becomes a meditation on perception, revealing how even the most mundane encounters can ripple into something hauntingly beautiful. The result is less a traditional narrative and more a sensory experience, a visual poem that lingers long after the screen fades to black.