Apple 1992
Before the first light of creation flickered into existence, an unearthly tale of magic and transformation began to unfold in Damon Packard's enigmatic short film *Apple* (1992). This 27-minute Super 8 micro-epic casts Gayle T.
Director: Damon Packard
Cast
Frequently Asked Questions
What is Apple (1992) about?
*Apple* follows the transformation of its titular character from an elfin girl into Orb, a sorceress of the dark arts. Set in a primordial, fantastical world, the film explores themes of maturation, power, and the seductive pull of darkness. Its 27-minute runtime condenses a haunting narrative into a visually rich, atmospheric experience.
Who directed Apple?
*Apple* was directed by Damon Packard, a filmmaker known for his bold and unconventional approach to genre storytelling, particularly in the horror realm.
Who stars in Apple?
The film stars Gayle T. Keller in the central role of Apple, alongside Rachel Young, Marlene Sperka, Christy Steele, and Christa Kirn.
Is Apple (1992) worth watching?
While *Apple* is an unfinished micro-epic, its raw, atmospheric storytelling and Packard's distinctive vision make it a compelling watch for fans of dark fantasy and underground cinema. Its brevity and rough-hewn charm add to its cult appeal rather than detracting from it.
How long is Apple?
The film runs for 27 minutes.
Apple (1992): Dark Fantasy Micro-Epic Explored — Full Movie Info
Before the first light of creation flickered into existence, an unearthly tale of magic and transformation began to unfold in Damon Packard's enigmatic short film *Apple* (1992). This 27-minute Super 8 micro-epic casts Gayle T. Keller as Apple, an ethereal elfin maiden whose journey from innocence to sorcery charts a course through shadowy realms ruled by the dark arts. Packard, a filmmaker whose boldly unconventional style earned him cult notoriety among horror enthusiasts, weaves a hypnotic fable where fantasy and folklore collide. The rough-hewn visuals and dreamlike narrative transport viewers to a primordial world, one where the boundaries between myth and reality blur beneath the weight of Orb, the sinister force Apple must ultimately master. With lush, atmospheric cinematography and a hauntingly minimalist runtime, *Apple* lingers like a half-remembered dream.
Crafted as a faux-trailer for a larger, unfinished project, this micro-epic offers a tantalizing glimpse into Packard's imaginative universe, blending elements of dark fantasy with the gritty aesthetic of '80s underground cinema. The film's pared-down runtime belies its ambition, presenting a self-contained story that feels both intimate and epic. For fans of offbeat genre cinema, *Apple* (1992) stands as a fascinating artifact—a fleeting but potent reminder of Packard's daring vision.