Salò, or the 120 Days of Sodom 1976
"The final vision of a controversial filmmaker."
Pier Paolo Pasolini's final film, *Salò, or the 120 Days of Sodom (1976)*, plunges viewers into a nightmarish descent through fascist brutality, where power and corruption twist morality into something grotesque.
Director: Pier Paolo Pasolini
Cast
Paolo Bonacelli
The Duke
Giorgio Cataldi
The Bishop
Uberto Paolo Quintavalle
The Magistrate
Aldo Valletti
The President
Caterina Boratto
Signora Castelli
Elsa De Giorgi
Signora Maggi
Hélène Surgère
Signora Vaccari
Sonia Saviange
The Pianist
Sergio Fascetti
Sergio - Male Victim
Bruno Musso
Carlo Porro - Male Victim
Frequently Asked Questions
What is *Salò, or the 120 Days of Sodom (1976)* about?
The film is a chilling exploration of fascist tyranny, where four powerful men imprison nine teenagers and subject them to months of psychological and physical abuse. Pasolini uses this extreme narrative to critique authoritarianism and the erosion of human morality.
Who directed *Salò, or the 120 Days of Sodom*?
The film was directed by Pier Paolo Pasolini, the provocative Italian filmmaker known for pushing boundaries with his artistic and political commentary.
Who stars in *Salò, or the 120 Days of Sodom*?
The cast includes Paolo Bonacelli, Giorgio Cataldi, Uberto Paolo Quintavalle, Aldo Valletti, Caterina Boratto, and Elsa De Giorgi in pivotal roles.
Is *Salò, or the 120 Days of Sodom (1976)* worth watching?
While undeniably disturbing, *Salò* is a landmark in horror and arthouse cinema, renowned for its unflinching critique of power. Its historical significance and Pasolini's vision make it compelling for fans of provocative filmmaking, though it's not for the faint-hearted.
How long is *Salò, or the 120 Days of Sodom*?
The film runs for 117 minutes.
🎥 Trailer
About Salò, or the 120 Days of Sodom (1976) — Pier Paolo Pasolini's Controversial Masterpiece Explained
Pier Paolo Pasolini's final film, *Salò, or the 120 Days of Sodom (1976)*, plunges viewers into a nightmarish descent through fascist brutality, where power and corruption twist morality into something grotesque. Set in the final days of Mussolini's regime, the story follows four depraved aristocrats who abduct nine teenagers, subjecting them to 120 days of unthinkable psychological and physical torment. Pasolini's unflinching lens exposes the darkest corners of human depravity, blending historical allegory with visceral horror. The film's oppressive atmosphere, punctuated by eerie silence and suffocating dread, lingers long after the credits roll, making it a harrowing yet unforgettable experience for those who dare to watch.
This controversial masterpiece isn't just a film—it's a brutal indictment of authority and human cruelty, wrapped in the director's signature provocative style. With a cast including Paolo Bonacelli, Giorgio Cataldi, and Uberto Paolo Quintavalle, *Salò* challenges audiences to confront the extremes of oppression and the fragility of human dignity. Its reputation as a cinematic taboo ensures it remains a subject of debate, study, and uneasy fascination decades after its release.
