C'est presque au bout du monde Poster

C'est presque au bout du monde 2015

★ 8.01 votes16 min📅 2015-09-15

In "C'est presque au bout du monde (2015)", Mathieu Amalric embarks on a haunting exploration of the origins of eerie, almost otherworldly vocal performances.

Director: Mathieu Amalric

Cast

Barbara Hannigan
Barbara Hannigan

Frequently Asked Questions

What is C'est presque au bout du monde (2015) about?

This short film by Mathieu Amalric investigates the unsettling phenomenon of unnaturally beautiful or otherworldly singing voices, probing the source of such vocal anomalies within the human body or beyond. It's a contemplative piece that blurs the line between performance and mystery.

Who directed C'est presque au bout du monde?

Mathieu Amalric, the acclaimed French director known for his innovative and often experimental approach to filmmaking, helmed this intriguing short.

Who stars in C'est presque au bout du monde?

The film features Barbara Hannigan, whose extraordinary vocal abilities take center stage in this enigmatic exploration of singing.

Is C'est presque au bout du monde (2015) worth watching?

As a 16-minute experimental short, it's a niche but captivating watch for those interested in avant-garde cinema and the mysteries of vocal performance. While it may not appeal to all tastes, its unique premise and Barbara Hannigan's involvement make it a standout piece for discerning viewers.

How long is C'est presque au bout du monde?

The runtime of C'est presque au bout du monde (2015) is 16 minutes.

About C'est presque au bout du monde (2015) — A haunting dive into the origins of eerie vocal performances

In "C'est presque au bout du monde (2015)", Mathieu Amalric embarks on a haunting exploration of the origins of eerie, almost otherworldly vocal performances. The 16-minute short film delves into the mystery of these anomalous singing voices, questioning where in the human body—or perhaps beyond—lies the source of such unsettling musical expression. With Barbara Hannigan lending her distinctive vocal prowess, the film crafts an atmospheric journey that lingers between the familiar and the uncanny, inviting viewers to ponder the boundaries of human creativity and the unexplained.

Blending experimental documentary techniques with a surrealistic approach, Amalric stitches together fragments of performance and inquiry to create a mesmerizing, thought-provoking piece. The result is a fleeting but unforgettable cinematic experience that challenges perceptions of voice, artistry, and the ethereal quality of sound itself.