Move On 1917
In the silent-era gem *Move On (1917)*, Harold Lloyd stars as a well-meaning but easily distracted police officer whose day takes a chaotic turn when he stumbles into a high-stakes craps game.
Director: Gilbert Pratt
Cast
Frequently Asked Questions
What is Move On (1917) about?
The film follows a police officer whose routine patrol turns into a whirlwind of trouble when he gets caught up in a dice game and flirts with a nurse. Director Gilbert Pratt delivers a rapid-fire comedy where mischief and slapstick collide, all in under five minutes.
Who directed Move On?
Move On was directed by Gilbert Pratt, a prolific filmmaker known for his work in silent-era comedies. His direction brings out the film's playful and energetic tone.
Who stars in Move On?
The cast includes Harold Lloyd, Harry 'Snub' Pollard, Bebe Daniels, William Blaisdell, and Bud Jamison, with Lloyd leading the charge in chaotic charm.
Is Move On (1917) worth watching?
As a silent-era comedy short, *Move On* offers a delightful glimpse into early filmmaking, packed with physical humor and a charismatic cast. While it lacks an IMDb rating, its historical significance and fun pacing make it a charming watch for fans of classic cinema.
How long is Move On?
Move On runs approximately five minutes, making it a quick yet satisfying silent-era comedy short.
🎥 Trailer
About Move On (1917) — Silent Comedy Short with Harold Lloyd
In the silent-era gem *Move On (1917)*, Harold Lloyd stars as a well-meaning but easily distracted police officer whose day takes a chaotic turn when he stumbles into a high-stakes craps game. Director Gilbert Pratt crafts a lightning-fast comedy that blends slapstick energy with the playful flirtations of a flirtatious nurse, all wrapped in the carefree spirit of 1910s cinema. The film's brisk five-minute runtime crackles with physical humor and lighthearted mischief, evoking the playful chaos of early filmmaking when every frame felt like a punchline.
Bebe Daniels shines as the alluring nurse, while Lloyd's knack for physical comedy and expressive face make this short a standout in silent comedy history. The atmosphere is breezy and optimistic, a snapshot of an era when cinema was still discovering its voice and the world felt full of endless possibilities. *Move On (1917)* may be brief, but it packs a punch with its spirited cast and director's keen eye for visual gags.