o.T. 1999

Overview

Michaela Grill's visual work makes use of a concrete wall as the smallest identifiable element of urban music culture which forms a space. The visual organization of this barely recognizable representational surface is resolved through Takeshi Fumimoto's musical structure. The images illustrate neither the tone nor the rhythm; they follow the logic of the acoustic blueprint to create new forms of hearing through the processing of the found sounds. The camera makes a parallel searching movement a