
Everything is Going Very Well Madame la Marquise 1936
Step into the whimsical world of 1936 French comedy *Everything is Going Very Well Madame la Marquise*, directed by Henry Wulschleger and starring the charming Noël-Noël alongside Ray Ventura and Simone Bourday.
Director: Henry Wulschleger
Cast










Frequently Asked Questions
What is *Everything is Going Very Well Madame la Marquise* (1936) about?
This charming French comedy follows a down-on-his-luck man who reinvents himself as a Breton performer after losing his job. His newfound career in Paris leads to a series of lucky breaks—and complications—when he crosses paths with a mysterious woman of questionable reputation.
Who directed *Everything is Going Very Well Madame la Marquise*?
The film was directed by Henry Wulschleger, a French filmmaker known for his work in lighthearted comedies during the 1930s.
Who stars in *Everything is Going Very Well Madame la Marquise*?
The cast features Noël-Noël, Ray Ventura, Simone Bourday, and Maurice Escande, bringing this quirky tale to life with their comedic talents.
Is *Everything is Going Very Well Madame la Marquise* (1936) worth watching?
While not rated on IMDb, this French comedy offers a fun glimpse into pre-war cinema with its mix of humor and mistaken identities. Fans of vintage comedies or Noël-Noël's work may find it a charming choice for a lighthearted watch.
How long is *Everything is Going Very Well Madame la Marquise*?
The film runs for 98 minutes, making it a perfect length for a cozy movie night.
About Everything is Going Very Well Madame la Marquise (1936) — A zany pre-war French comedy you won't forget
Step into the whimsical world of 1936 French comedy *Everything is Going Very Well Madame la Marquise*, directed by Henry Wulschleger and starring the charming Noël-Noël alongside Ray Ventura and Simone Bourday. This lighthearted tale follows a country bumpkin whose life takes a dramatic turn after a fire leaves him jobless. Determined to make ends meet, he reinvents himself as a Breton entertainer for tourists, only to find himself swept up in Paris's glittering stages and entangled in a web of mistaken identity with a seductive but dubious wealthy woman.
With its playful blend of mistaken social status and high-society antics, the film captures the irreverent spirit of pre-war French cinema. Wulschleger's direction infuses the story with warmth and wit, making *Everything is Going Very Well Madame la Marquise (1936)* a delightful escape into the absurdities of fate and fortune.