Back Home 2018
In Back Home (2018), director Magdalena Łazarkiewicz crafts a gripping drama centered on Ula, a teenage girl from a quiet Polish town who endures the unimaginable when she's kidnapped and forced into a brothel across the border in Germany.
Director: Magdalena Łazarkiewicz
Cast
Frequently Asked Questions
What is Back Home (2018) about?
The film follows Ula, a young Polish girl who escapes after being kidnapped and held in a brothel in Germany. Though she returns home, she faces rejection and stigma from her conservative community, forcing her to confront the harsh realities of judgment and survival.
Who directed Back Home?
Magdalena Łazarkiewicz directed Back Home (2018), bringing a sensitive yet unflinching approach to this emotionally charged drama.
Who stars in Back Home?
The film stars Sandra Drzymalska as Ula, alongside Agnieszka Warchulska, Mirosław Kropielnicki, and Katarzyna Herman in pivotal roles.
Is Back Home (2018) worth watching?
Back Home (2018) is a compelling drama that tackles timely themes of trauma and societal exclusion. While it may not be widely rated yet, its emotional depth and strong performances make it a thought-provoking watch for fans of character-driven films.
How long is Back Home?
Back Home (2018) has a runtime of 106 minutes.
Back Home (2018) — A Polish drama about survival and the wounds that follow
In Back Home (2018), director Magdalena Łazarkiewicz crafts a gripping drama centered on Ula, a teenage girl from a quiet Polish town who endures the unimaginable when she's kidnapped and forced into a brothel across the border in Germany. Her escape is a triumph of survival, but returning home brings no relief—only judgment and ostracization from a community steeped in rigid conservatism. The film dives deep into themes of trauma, resilience, and the cruel weight of societal stigma, painting a stark portrait of isolation and redemption.
Sandra Drzymalska delivers a heart-wrenching performance as Ula, embodying the raw vulnerability and quiet strength of a survivor fighting for a place where she once belonged. The brooding atmosphere is heightened by Łazarkiewicz's deliberate pacing, which mirrors the protagonist's emotional turmoil. As Ula navigates the hostility of her hometown, the film questions whether home is truly a sanctuary—or just another kind of prison. A poignant and unsettling exploration of human cruelty and endurance.