Hello, Miss! 1932
Directed by Maurice Champreux in 1932, *Hello, Miss!* is a charming French screwball comedy that revolves around the chaos of mistaken identities and romantic mix-ups.
Director: Maurice Champreux
Cast
Frequently Asked Questions
What is Hello, Miss! (1932) about?
The film follows a young woman's newspaper matrimonial ad that leads to a series of comedic misunderstandings when multiple parties show up to the same meeting place, each expecting a different person. Miscommunication and romantic mix-ups drive the plot, culminating in a delightfully chaotic evening.
Who directed Hello, Miss!?
The film was directed by Maurice Champreux, a notable figure in French cinema known for his work in early sound films.
Who stars in Hello, Miss!?
The cast includes Dolly Davis, Lily Zévaco, Pierre de Rigoult, Félix Oudart, and Jeanne Fusier-Gir, with Mathilde Alberti rounding out the ensemble.
Is Hello, Miss! (1932) worth watching?
As a pre-code French comedy, *Hello, Miss!* offers a snapshot of 1930s filmmaking with its playful tone and clever plot twists. While it lacks modern ratings, its historical charm and whimsical premise make it a fun watch for fans of classic farce and early cinema enthusiasts.
How long is Hello, Miss!?
The runtime of Hello, Miss! is 87 minutes.
About Hello, Miss! (1932) — A Classic 1930s Rom-Com with a Twist of Misplaced Love
Directed by Maurice Champreux in 1932, *Hello, Miss!* is a charming French screwball comedy that revolves around the chaos of mistaken identities and romantic mix-ups.
The story follows Gaby, a young woman placing a newspaper ad to find a husband, only to cross paths with Berthier, a telephone exchange director who responds to her ad. Meanwhile, Yvonne, a flirtatious telephone operator, was invited by a subscriber, Vanetti, to meet while his wife is away. When all four end up at the same rendezvous point, their evening spirals into hilarious confusion as each ends up paired with the wrong person. With lively pacing and witty misunderstandings, the film captures the carefree spirit of early 1930s romantic comedies, blending farce with lighthearted social satire.