Glow of Memories 1972

Overview

This film focuses on an old Palestinian man who is the subject of artist Ismail Shammout’s painting Memories and Fire. The film unravels his memories using archival photographs and Shammout’s own paintings to tell the story of Palestinian experience and resistance. By simply using a montage of visuals and sounds and avoiding narration, Shammout adopts a style that was used by early Soviet filmmakers who wished to communicate across language boundaries, creating a film that offered an non-verbal