100 Foot Ride 2010
In *100 Foot Ride (2010)*, director Alexander Stewart crafts an inventive and mesmerizing micro-cinematic experiment that pushes the boundaries of analog filmmaking.
Director: Alexander Stewart
Frequently Asked Questions
What is 100 Foot Ride (2010) about?
*100 Foot Ride* is a short film that turns a stationary bicycle into a camera mechanism. By pedaling, the rider manually feeds 100 feet of film through a 16mm Bolex camera, creating a unique blend of physical labor and artistic expression. The film transforms a mundane activity into a mesmerizing visual journey.
Who directed 100 Foot Ride?
The film was directed by Alexander Stewart, a filmmaker known for his experimental and innovative approach to cinema.
Who stars in 100 Foot Ride?
Due to the experimental nature of the film, cast details are not prominently listed. The focus remains on the concept rather than individual performers.
Is 100 Foot Ride (2010) worth watching?
While *100 Foot Ride* is more of an artistic experiment than a traditional narrative film, it offers a captivating glimpse into avant-garde filmmaking. Its short runtime and innovative technique make it a standout piece for enthusiasts of experimental cinema, though casual viewers might find it more intriguing than gripping.
How long is 100 Foot Ride?
The film runs for 3 minutes.
About 100 Foot Ride (2010) — A Bicycle-Powered Cinematic Experiment
In *100 Foot Ride (2010)*, director Alexander Stewart crafts an inventive and mesmerizing micro-cinematic experiment that pushes the boundaries of analog filmmaking. This three-minute short film forgoes a conventional plot, instead transforming a stationary bicycle into an unlikely protagonist. By pedaling furiously, the rider powers a 16mm Bolex camera through a clever wire-loop system, advancing exactly 100 feet of film—a process both physically demanding and artistically daring. The result is a hypnotic visual rhythm that blends mechanical ingenuity with the raw energy of human effort, creating an atmospheric piece that feels like a cross between performance art and avant-garde cinema.
Stewart's bold approach turns a simple bike ride into a cinematic ritual, evoking themes of endurance, creativity, and the unexpected marriage of technology and tradition. The film's minimalist setup belies its conceptual depth, offering viewers a meditative yet dynamic experience that lingers long after the final pedal stroke. With its striking visuals and unorthodox method, *100 Foot Ride (2010)* is a fascinating glimpse into how resourcefulness can redefine storytelling—one revolution of the wheel at a time.