
C'est assez bien d'être fou 2018
Embarking on a daring journey from the Carpathian peaks to the eerie boat graveyard of the Aral Sea, *C'est assez bien d'être fou* (2018) follows street artist Bilal Berreni and filmmaker Antoine Page as they crisscross Europe and Asia in a trusty 1970s truck.
Director: Antoine Page
Cast
![Bilal Berreni [ Zoo Project ]](/img/w185/qzG8yQEwotWwhnP3xy7Fa1C1J88.jpg)

Frequently Asked Questions
What is *C'est assez bien d'être fou* (2018) about?
This documentary-animation hybrid follows street artist Bilal Berreni and filmmaker Antoine Page as they traverse continents in an aging truck, blending art, travel, and chance encounters into a poetic adventure. Their journey takes them from the mountains of Europe to the stark landscapes of Central Asia, where every breakdown and local interaction becomes part of the story.
Who directed *C'est assez bien d'être fou*?
Antoine Page directed the film, co-starring alongside Bilal Berreni in this unique hybrid documentary.
Who stars in *C'est assez bien d'être fou*?
The documentary stars street artist Bilal Berreni under the moniker Zoo Project and director Antoine Page, whose real-life journey forms the backbone of the film.
Is *C'est assez bien d'être fou* (2018) worth watching?
While IMDb ratings aren't available, the film's experimental blend of animation and documentary, along with its adventurous spirit, makes it a compelling watch for fans of offbeat travel stories and artistic road trips. Its unconventional structure and genuine moments offer a refreshing take on the genre.
How long is *C'est assez bien d'être fou*?
The film runs for 102 minutes.
About C'est assez bien d'être fou (2018) — A Siberian adventure in a 1970s truck
Embarking on a daring journey from the Carpathian peaks to the eerie boat graveyard of the Aral Sea, *C'est assez bien d'être fou* (2018) follows street artist Bilal Berreni and filmmaker Antoine Page as they crisscross Europe and Asia in a trusty 1970s truck. Their months-long odyssey blends animation and documentary footage into a poetic road movie, where broken-down engines and chance encounters shape an unpredictable narrative. The film captures the raw spirit of exploration, mixing the thrill of the open road with intimate portraits of people and places along the way. With every mechanical hiccup and cultural detour, Bilal and Antoine's adventure becomes as much a meditation on art and connection as it is a travel diary.
This visually rich hybrid of genres unfolds like a moving collage, oscillating between humor and melancholy, discovery and reflection. The directors' playful yet profound approach turns mechanical mishaps and spontaneous conversations into the heartbeat of the story, making *C'est assez bien d'être fou* a celebration of the unpredictable magic found on life's long, winding roads.