Hennepin County Park I, II, III, IV Poster

Hennepin County Park I, II, III, IV 1976

12 min📅 1976-01-01

Dive into the mysterious and atmospheric world of *Hennepin County Park I, II, III, IV (1976)*, a short experimental film directed by Steve Evans.

Director: Steve Evans

Frequently Asked Questions

What is Hennepin County Park I, II, III, IV (1976) about?

This 12-minute experimental film explores Minnesota's Hennepin County Park through four distinct segments, blending nature, solitude, and time. Its meditative pace focuses on landscapes and subtle shifts in mood rather than a traditional plot.

Who directed Hennepin County Park I, II, III, IV?

The film was directed by Steve Evans, an experimental filmmaker known for his innovative and atmospheric approach to short cinema.

Who stars in Hennepin County Park I, II, III, IV?

Cast details are not publicly listed for this short film.

Is Hennepin County Park I, II, III, IV (1976) worth watching?

As an unrated experimental short, it won't appeal to everyone, but fans of 1970s avant-garde cinema will appreciate its raw, atmospheric style. Its brevity makes it an intriguing watch for those exploring underground filmmaking.

How long is Hennepin County Park I, II, III, IV?

The runtime is 12 minutes.

About Hennepin County Park I, II, III, IV (1976): A Short Film Deep Dive

Dive into the mysterious and atmospheric world of *Hennepin County Park I, II, III, IV (1976)*, a short experimental film directed by Steve Evans. Though details remain scarce, this 12-minute piece immerses viewers in a cinematic experiment blending nature, solitude, and the passage of time. Shot across four interconnected segments, the film captures the quiet, almost surreal essence of Minnesota's Hennepin County Park, weaving together themes of isolation, nature's rhythm, and the unseen stories hidden within public spaces. Evans' minimalist approach creates an eerie yet contemplative mood, leaving audiences to interpret the silent landscapes and subtle shifts in tone.

While the cast remains unnamed, the film's power lies in its visual storytelling rather than star power. Its raw, unpolished style invites comparisons to early underground cinema, where atmosphere trumps traditional narrative. Whether you're a fan of experimental filmmaking or simply curious about 1970s avant-garde works, *Hennepin County Park I, II, III, IV* offers a fleeting but memorable experience—one that lingers long after the credits roll.