Narcisso-Métal 1979
Dive into the hypnotic world of *Narcisso-Métal (1979)*, a striking 12-minute experimental short by Jean-Pierre Ceton that turns the camera back on itself—literally.
Director: Jean-Pierre Ceton
Cast
Frequently Asked Questions
What is Narcisso-Métal (1979) about?
*Narcisso-Métal* is a visually arresting short film that explores the themes of narcissism and self-reflection through the lens of mirrors and windows. Directed by Ceton, the film uses mirrors and reflective surfaces to create a visual metaphor for the dangers of self-obsession, blurring the line between creator and creation.
Who directed Narcisso-Métal?
The short experimental film *Narcisso-Métal* was directed by Jean-Pierre Ceton, who also stars in and crafted the film's conceptual framework.
Who stars in Narcisso-Métal?
The film stars its director, Jean-Pierre Ceton, who appears in most scenes either filming himself or being captured through reflective surfaces.
Is Narcisso-Métal (1979) worth watching?
While *Narcisso-Métal* is a niche experimental short with no IMDb rating, its unique premise and artistic vision make it a compelling watch for fans of avant-garde cinema. Its themes of self-reflection and visual storytelling offer a thought-provoking experience in just 12 minutes.
How long is Narcisso-Métal?
The runtime of *Narcisso-Métal* is 12 minutes.
About Narcisso-Métal (1979) — Jean-Pierre Ceton's hypnotic self-portrait through the lens
Dive into the hypnotic world of *Narcisso-Métal (1979)*, a striking 12-minute experimental short by Jean-Pierre Ceton that turns the camera back on itself—literally. This avant-garde film explores themes of self-obsession and perception through a series of mirror-like reflections, where the director becomes both subject and voyeur. Using mirrors, windows, and reflective surfaces, Ceton crafts a visual puzzle that blurs the line between filmmaker and subject, creating an atmosphere that's both intimate and unsettling. The film's minimalist approach and focus on the act of looking make it a fascinating study of narcissism and the danger of losing oneself in one's own gaze.
*Narcisso-Métal (1979)* is a mesmerizing experiment in self-portraiture, where Ceton films himself using automatic triggers or distant setups, transforming the act of creation into a meditation on identity and art. The result is a hauntingly beautiful piece that challenges viewers to question who—or what—is really being observed. With its dreamlike quality and thematic depth, this short film stands out as a unique entry in experimental cinema, offering a glimpse into the mind of its creator while inviting audiences to reflect on their own relationship with self-image.