
Mi 2018
"I am ... Mi."
Directed by Na Gyi, *Mi (2018)* plunges into the turbulent life of its eponymous protagonist—a sharp-tongued, restless young woman navigating the suffocating expectations of 1940s Burmese society.
Director: Na Gyi
Cast



Frequently Asked Questions
What is Mi (2018) about?
*Mi (2018)* follows a fiercely independent young woman in 1940s Burma who flouts societal norms with her unapologetic lifestyle. Behind her defiant exterior lies deep insecurity and exhaustion, as she navigates a web of fleeting relationships and personal turmoil.
Who directed Mi?
Mi was directed by Na Gyi, a filmmaker known for exploring social and personal conflicts in Burmese cinema.
Who stars in Mi?
The film stars Aung Ye Htike, Paing Phyoe Thu, Nay Toe, Ye Aung, and Min Oo in pivotal roles that bring its drama to life.
Is Mi (2018) worth watching?
As a drama-crime film with a raw, emotionally charged narrative, *Mi (2018)* offers a compelling character study for fans of intense, thought-provoking cinema. While IMDb ratings aren't available, its themes of rebellion and societal pressure make it a standout in modern Burmese filmmaking.
How long is Mi?
Mi (2018) has a runtime of 113 minutes.
🎥 Trailer
About Mi (2018) — A Bold Drama of Rebellion and Burmese Society's Chains
Directed by Na Gyi, *Mi (2018)* plunges into the turbulent life of its eponymous protagonist—a sharp-tongued, restless young woman navigating the suffocating expectations of 1940s Burmese society. With a rebellious spirit that defies convention, Mi drinks, smokes, and challenges the hypocrisy around her, only to mask deep-seated trauma and exhaustion behind a facade of defiance. Her relationships are as fleeting as her moods, leaving her emotionally drained, much like a butterfly pinned to cardboard, her wings trembling against the constraints of tradition.
This drama-crime blend explores themes of liberation, identity, and the cost of defiance, painting a vivid portrait of a woman caught between desire and despair. The film's atmosphere is raw yet poetic, blending social critique with intimate character study, making it a standout in modern Burmese cinema for those drawn to bold, emotionally charged narratives.