It's Getting Late 2012
It's Getting Late (2012) is a quietly captivating short drama directed by Massy Tadjedin, unfolding against the hazy glow of a Los Angeles evening.
Director: Massy Tadjedin
Cast
Frequently Asked Questions
What is It's Getting Late (2012) about?
It's Getting Late follows four women through their evening routines in Los Angeles, each navigating personal challenges as day turns to night. Their stories unfold in parallel, revealing moments of quiet reflection and subtle connection. The film captures the fragility of human connections in a bustling city.
Who directed It's Getting Late?
It's Getting Late was directed by Massy Tadjedin, known for her evocative storytelling and keen eye for character-driven narratives.
Who stars in It's Getting Late?
The film stars Patricia Clarkson, Rinko Kikuchi, Gemma Arterton, and Aubrey Plaza in lead roles.
Is It's Getting Late (2012) worth watching?
While It's Getting Late is a short film without an IMDb rating, its atmospheric storytelling and strong performances make it a compelling watch for fans of character-driven dramas. The film's poetic tone and visual restraint elevate it beyond typical short cinema.
How long is It's Getting Late?
It's Getting Late has a runtime of 9 minutes.
About It's Getting Late (2012) — A poetic short film about four women at dusk
It's Getting Late (2012) is a quietly captivating short drama directed by Massy Tadjedin, unfolding against the hazy glow of a Los Angeles evening. The film intricately weaves together the disjointed routines of four women—each navigating their own emotional terrain as their workdays fade into dusk. With a delicate, observational lens, Tadjedin captures fleeting moments of introspection, loneliness, and connection, painting a portrait of modern urban life where lives intersect without quite overlapping. The atmosphere is one of subtle tension, blending melancholy with the quiet promise of evening transitions.
Patricia Clarkson, Rinko Kikuchi, Gemma Arterton, and Aubrey Plaza lead the ensemble cast, delivering understated yet magnetic performances that ground the film's emotional resonance. Though brief, It's Getting Late unfolds like a cinematic vignette—each woman's story a thread in a larger tapestry of contemporary existence. The director's restrained style invites viewers to linger on the unspoken, making this a memorable snapshot of life in the city of angels.