Week-end 1935
Week-end (1935), a Danish comedy directed by Alice O'Fredericks, dives into the chaotic world of a high-stakes racing team just before the championship. Behind the polished facade of Poul and Jørgen's team, distrust simmers as a disgraced former member plots sabotage.
Director: Alice O'Fredericks
Cast
Frequently Asked Questions
What is Week-end (1935) about?
Week-end follows two racing team members, Poul and Jørgen, as they navigate last-minute sabotage, romantic entanglements, and high-stakes pressure ahead of the championship. Their fragile partnership unravels when Jørgen's flirtation with Poul's girlfriend and a disgruntled former teammate's revenge plot threaten to derail everything—until Poul's enigmatic cousin Basse arrives to shake things up.
Who directed Week-end?
Week-end was directed by Alice O'Fredericks, a pioneering figure in Danish cinema known for her sharp comedies and insightful storytelling.
Who stars in Week-end?
The film features a talented Danish cast including Asbjørn Andersen, Svend Bille, Gerd Gjedved, and Per Gundmann, with Betty Helsengreen rounding out the ensemble.
Is Week-end (1935) worth watching?
While Week-end isn't rated on IMDb, its blend of slapstick humor, clever timing, and vintage charm makes it a delightful choice for fans of classic comedies. The racing backdrop and ensemble cast deliver plenty of laughs, though modern audiences may find the pacing a bit brisk by today's standards.
How long is Week-end?
Week-end runs for 102 minutes, offering a tight and engaging ride through its comedic escapades.
About Week-end (1935) — Danish Comedy with Racing Team Chaos and Classic Humor
Week-end (1935), a Danish comedy directed by Alice O'Fredericks, dives into the chaotic world of a high-stakes racing team just before the championship. Behind the polished facade of Poul and Jørgen's team, distrust simmers as a disgraced former member plots sabotage. Tensions escalate further when Jørgen begins flirting with Poul's girlfriend, threatening to derail the team's ambitions entirely. Just as the pressure peaks, an unexpected wildcard—Poul's mysterious cousin Basse—enters the scene, turning a precarious situation into a whirlwind of comedic mishaps.
O'Fredericks crafts a lighthearted yet sharp satire of rivalry, temptation, and timing, infusing the film with a playful urgency that mirrors the countdown to the big race. The ensemble cast elevates the humor, blending farce with moments of genuine camaraderie against a backdrop of 1930s racing culture. Whether you're a fan of vintage comedies or curious about early Danish cinema, Week-end blends charm, tension, and classic slapstick into an unforgettable short escape.